Abstract
All objects, forms and patrimonial elements of cities are repositories of graphic memory and history, which account for values and meanings of cultural identity of a territory to its inhabitants and to its visitors. By review of the main literature and a case studies method, we characterize significant aspects of heritage buildings which present by visual means, unnoticed information by most observers. This is a descriptive and explanatory report, to verify common aspects. Design can take advantage of this and use such visual elements to add value to contemplated objects and to cultural interaction that emerges from them. Graphic design is presented as a strategic tool which contributes to communication of these visual manifestations which, in turn, constitutes material cultural heritage of a place. Therefore, this paper approaches cultural heritage of a territory, as treated from the perspective of strategic design and graphic design. Design acts both as an intermediate and interpreter that gives meaning to information, so it can be transmitted to citizens.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
‘Barcelona Gráfica’ (2005) is a photograph catalog which gathers about one thousand and nine hundred images with graphic details of Barcelona.
- 2.
The term ‘huaso’ is used in Chile to refer to the individual who lives in the central area or part of the south of the country and is dedicated to the tasks of the old haciendas of the central valley and the coast of that area.
References
Acevedo O (2011) Módulo de Metodología de la Investigación [Research Methodology Module]. In: Strategic design master, Universidad de Valparaíso, Chile
Alderoqui S (2003) La ciudad: un territorio que educa. [City: a territory that educates]. CADERNO CRH, Salvador, N. 38:153–176
Becerra P (2008) Diseño estratégico en los sistemas de comercialización y consumo [Strategic design in marketing and consumption systems]. Fundación IDC, Mendoza, Argentina
Becerra P, Cervini A, Zapico S (2005) Through and about the product. Strategic design and SME innovation in the city of Buenos Aires. Instituto Metropolitano de Diseño e Innovación, Buenos Aires, Argentina, pp 10–11
Cháves N, Sánchez A (2001) El patrimonio gráfico y su recuperación [The graphic heritage and its recovery]. Revista Tipográfica Nº 47
Cross N (2007) From a design science to a design discipline: understanding designerly ways of knowing and thinking. In: Design research now. Birkhäuser Basel, pp 41–54
Eco U (1989) La estructura ausente. Introducción a la semiótica. [The absent structure. Introduction to semiotics]. Lumen SA Editorial, Barcelona, España
Flusser V (2007) O mundo codificado. [The coded world], San Pablo, Cosac Naify. Cited in Cambariere L (2017) El alma de los objetos. [Soul of the objects]. Paidós, Buenos Aires, Argentina
Frayling C (1993) Research in art and design. Royal College Art Res Pap Ser 1(1)
Friedman K (1997) Design science and design education (No. 1997). Norwegian School of Management
Frutiger A (2007) Signos, Símbolos, Marcas, Señales. Elementos, morfología, representación, significación [Signs and symbols. Their design and meaning], Spanish Edition 10° edn. Gustavo Gili Editorial, Barcelona, Spain
Goodenough W (1975) “Cultura, lenguaje y sociedad”, en El concepto de cultura: textos fundamentales [“Culture, language and society”, in The concept of culture: fundamental texts]. Cited in Kahn JS (1975) Anagrama, Barcelona, España, pp 157–244
Gouveira A, Farias L, Cescato F, Indicatti F (2008) Urban Typography – modeling of epigraphs. 8º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design
Hymes D (1964) Language in culture and society. Harper Row, New York. Cited in Kahn JS (1975) El concepto de cultura. Textos fundamentales [The culture concept]. Anagrama, Barcelona, España
Leach E (1979) Political system of Highland Burma. Beacon Press, Boston in Firth R (1968) Man and Culture
Massad F, Guerrero A (2009) Inventario urbano. Resenhas Online [Urban inventory. Online Reviews], São Paulo, año 08, n. 087.02, Vitruvius. http://www.vitruvius.com.br/revistas/read/resenhasonline/08.087/3047. [13.01.2018]
Margolin V (1991) Design studies and the education of designers. Temes de disseny 6:49–54
Pontis S (2009) Diseño gráfico: Un novel objeto de investigación. Caso de estudio, el proceso de diseño [Graphic design: a novel object of investigation. Case study, the design process]. Iconofacto 5(6):9–18
Rivera N, Ledezma M (2014) La ciudad como valor e identidad en ampliando ámbitos y prácticas [Identity and public space. Expanding scopes and practices]. Universidad de Extremadura, Fundación La Caixa, Cáceres, España, pp 77–95
Romero C (1998) Identidad y Espacio Público. Ampliando ámbitos y prácticas [Identity and public space. Expanding scopes and practices. Universidad de Extremadura, Fundación La Caixa, Cáceres, España, pp 13–30
Undurraga C, Bravo U (2016) El Estribo Chileno. Rescatando el Patrimonio Visual desde el Diseño [The Chilean Stirrup. Rescuing the visual heritage from design]. Universidad del Desarrollo, Santiago de Chile, Chile
Vitta M (2003) Los sistemas de la imagen [System of Images]. Paidós, Barcelona, España
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 Springer Nature Switzerland AG
About this chapter
Cite this chapter
Pilay, L., Neves, M. (2020). A City’s Cultural Heritage Communication Through Design. In: Raposo, D., Neves, J., Silva, J. (eds) Perspective on Design. Springer Series in Design and Innovation , vol 1. Springer, Cham. https://doi.org/10.1007/978-3-030-32415-5_9
Download citation
DOI: https://doi.org/10.1007/978-3-030-32415-5_9
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-030-32414-8
Online ISBN: 978-3-030-32415-5
eBook Packages: EngineeringEngineering (R0)