Abstract
This chapter examines a novel of the mid-nineteenth century that anticipates fundamental questions about the relationship between materiality and mobility, Henry Mayhew’s 1851: or, the Adventures of Mr and Mrs Sandboys. Written in the year of the Great Exhibition of 1851, the novel resonates with contemporary concerns about the materiality of mobility, the mobility of material culture and the status of the human in a world overrun by objects on the move. In so doing, it provides ways of rethinking the relationship between mobility and materiality in the nineteenth century, and in turn, allows us to reconceptualise the theoretical connections between mobility and materiality today.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
- 2.
- 3.
- 4.
On the politics of the Exhibition floor plan, see Buzard (2007).
- 5.
In this vein, Gillooly (2007) notes that in Exhibition rhetoric objects were taken as synecdoches of nations, with an accompanying personification of things in descriptions.
- 6.
- 7.
On the embeddedness of the Great Exhibition within networks of capitalist globalisation, see Young (2009, 201).
- 8.
An estimated 58,000 visitors came to Britain in 1851, nearly double that of the previous year: see Cole (1853, 436). Cole’s figures are derived from the “list of aliens” in the Home Office, prepared under the Alien Act, which required the commander of every ship to deliver on arrival of the vessel at an English port a list of all foreigners (436).
- 9.
In total, an estimated four million people travelled by railway to the Exhibition; see Rae (1987, 229–30).
- 10.
- 11.
- 12.
See Freeman (1999, 140–47).
- 13.
Cf., for example, John Tenniel, “An allegory of the Great Industrial Meeting of All Nations”, 1851.
- 14.
The Exhibition Catalogue lists many references to fossils and other petrified items in the Raw Materials, Mining and Mineral Products sections.
Bibliography
Armstrong, Isobel. 2007. Language of Glass: The Dreaming Collection. In Victorian Prism: Refractions of the Crystal Palace, ed. James Buzard, Joseph W. Childers, and Eileen Gillooly, 55–83. Charlottesville, VA: University of Virginia Press.
Auerbach, Jeffrey A. 1999. The Great Exhibition of 1851: A Nation on Display. New York: Yale University Press.
Auerbach, Jeffrey A., and Peter Hoffenberg, eds. 2008. Britain, the Empire, and the World the Great Exhibition of 1851. Farnham: Ashgate.
Brontë, Charlotte. [1848–1851] 2000. The Letters of Charlotte Brontë (Margaret Smith, eds., vol. 2). Oxford: Clarendon Press.
Buzard, James. 2007. Conflicting Cartographies: Globalism, Nationalism and the Crystal Palace Floor Plan. In Victorian Prism: Refractions of the Crystal Palace, ed. James Buzard, Joseph W. Childers, and Eileen Gillooly, 40–52. Charlottesville, VA: University of Virginia Press.
Cole, Henry. 1853. On the International Results of the Exhibition of 1851. In Lectures on the Results of the Great Exhibition of 1851, vol. 3. Society for the Encouragement of Arts, Manufactures, and Commerce, 419–451. London: David Bogue.
Coole, Diana, and Samantha Frost, eds. 2010. New Materialisms: Ontology, Agency, and Politics. Durham: Duke University Press.
Dickens, Charles. [1852–1853] 2003. Bleak House (Nicola Bradbury, ed.). London: Penguin.
Flint, Kate. 2007. Exhibiting America: The Native American and the Crystal Palace. In Victorian Prism: Refractions of the Crystal Palace, ed. James Buzard, Joseph W. Childers, and Eileen Gillooly, 171–185. Charlottesville, VA: University of Virginia Press.
Freedgood, Elaine. 2006. The Ideas in Things: Fugitive Meaning in the Victorian Novel. Chicago: University of Chicago Press.
Freeman, Michael. 1999. Railways and the Victorian Imagination. New York: Yale University Press.
Gallagher, Catherine, and Stephen Greenblatt. 2000. Practicing New Historicism. Chicago: University of Chicago Press.
Gillooly, Eileen. 2007. Rhetorical Remedies for Taxonomic Troubles. In Victorian Prism: Refractions of the Crystal Palace, ed. James Buzard, Joseph W. Childers, and Eileen Gillooly, 23–39. Charlottesville, CA: University of Virginia Press.
Hoffenberg, Peter. 2001. An Empire on Display: English, Indian, and Australian Exhibitions from Crystal Palace to the Great War. Berkeley, CA: University of California Press.
Humphreys, Anne. 1977. Travels into the Poor Man’s Country: The Works of Henry Mayhew. Athens, GA: University of Georgia Press.
Kriegel, Lara. 2001. Narrating the Subcontinent in 1851: India at the Crystal Palace. In The Great Exhibition of 1851: New Interdisciplinary Essays, ed. Louise Purbrick, 146–178. Manchester: Manchester University Press.
Leech, John. 1851. Specimens from Mr. Punch’s Industrial Exhibition of 1850 (to Be Improved in 1851). Punch, April 13.
Mayhew, Henry. 1851. 1851: or, the Adventures of Mr and Mrs Sandboys Who Came up to London to “Enjoy Themselves” and to See the Great Exhibition. London: George Newbold.
Message, Kylie, and Ewan Johnston. 2008. The World Within the City: The Great Exhibition, Race, Class and Social Reform. In Britain, the Empire, and the World the Great Exhibition of 1851, ed. Jeffrey Auerbach and Peter Hoffenberg, 27–46. Farnham: Ashgate.
Pevsner, Nikolas. 1951. High Victorian Design: A study of the Exhibits of 1851. London: Architectural Press.
Prasch, Thomas. 2012. A Strange Incongruity: The Imaginary India of the International Exhibitions. Nineteenth-Century Contexts 34 (5): 477–491.
Rae, A. B. 1987. Visitors by Railway to the Great Exhibition of 1851. MPhil Thesis, Open University.
Richards, Thomas. 1990. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851–1914. Stanford, CA: Stanford University Press.
Ruskin, John. 1903. The Seven Lamps of Architecture. In The Works of John Ruskin, ed. E.T. Cook and Alexander Wedderburn, vol. 8. London: George Allen.
Schivelbusch, Wolfgang. 1986. The Railway Journey: The Industrialization of Time and Space in the 19th Century. Leamington Spa: Berg.
Simmons, Jack. 1995. The Victorian Railway. London: Thames and Hudson.
Tenniel, John. 1851. The Happy Family in Hyde Park. Punch, July 19.
The Times. 1851a. The Great Exhibition. April 3.
———. 1851b. The Great Exhibition. October 8.
Young, Paul. 2009. Globalisation and the Great Exhibition: The Victorian New World Order. Basingstoke: Palgrave Macmillan.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Mathieson, C. (2019). Mobile Materiality: The Great Exhibition of 1851 and the Mobile-Material Relations of Henry Mayhew’s 1851: or, the Adventures of Mr and Mrs Sandboys. In: Carruthers, J., Dakkak, N., Spence, R. (eds) Anticipatory Materialisms in Literature and Philosophy, 1790–1930 . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-29817-3_7
Download citation
DOI: https://doi.org/10.1007/978-3-030-29817-3_7
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-29816-6
Online ISBN: 978-3-030-29817-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)