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The Disappointment of Wordsworth’s Letters

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Romanticism and the Letter

Abstract

‘I have long ceased to write any Letters but upon business’, Wordsworth wrote in 1803 to his teenage-devotee Thomas De Quincey, ironically in a letter not written upon business at all. Wordsworth often spoke of writing letters (usually while writing a letter) as though it were the most arduous chore in the world: ‘You do not know what a task it is to me, to write a Letter’, he moaned to Francis Wrangham in 1804: ‘I absolutely loath the sight of a Pen when I am to use it’ (EY p. 436). He even told Thomas Moore that he took pains to make his letters ‘as bad & dull as possible’ to avoid the ‘horror’ of them being ‘preserved’. Many readers have thought his intention was duly achieved. ‘It is generally felt that his letters are not very good’, said Sara Coleridge (the poet’s daughter). But the letters were published eventually. In 1937, when Ford K. Brown reviewed the first two volumes of Ernest de Selincourt’s editions of Wordsworth’s letters he noted the ‘substantial interest’ they would attract but conceded: ‘it is still true that these letters are disappointing’. Beth Darlington’s fetching edition of The Love Letters of William and Mary Wordsworth, published in 1981, warned that anyone looking for ‘sizzling rhetoric’ ‘may be disappointed’. And in the introduction to her Penguin selection of Wordsworth’s letters Juliet Barker felt the need to acknowledge the elephant in the room: ‘It cannot be argued that he was always the most sparkling of letter writers’.

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Notes

  1. 1.

    The Letters of William and Dorothy Wordsworth: The Early Years, ed. Ernest de Selincourt, rev. Chester L. Shaver, 2nd ed. (Oxford: Clarendon Press, 1967), p. 401. Hereafter EY. I also quote from The Middle Years, ed. Ernest de Selincourt, rev. Mary Moorman and Alan G. Hill, 2nd ed., 2 vols. (1969–70); The Later Years, ed. Alan G. Hill, 2nd ed., 4 vols. (1978–88); and A Supplement of New Letters, ed. Alan G. Hill (1993). Hereafter MY, LY, and NL.

  2. 2.

    The Journal of Thomas Moore, ed. W. S. Dowden, 5 vols (London and Toronto, 1988), I, 988.

  3. 3.

    ‘Sara Coleridge to Henry Reed’, repr. in Transactions of the Wordsworth Society, 5 (1966), p. 120.

  4. 4.

    Ford K. Brown, ‘Wordsworth and De Quincey’, VQR 13 (1937), 300–03 (p. 301).

  5. 5.

    The Love Letters of William and Mary Wordsworth, ed. Beth Darlington (Ithaca: Princeton University Press, 1981), p. 20.

  6. 6.

    Wordsworth: A Life in Letters, ed. Juliet Barker (London: Penguin, 2007), p. xiii.

  7. 7.

    Eric Griffiths, ‘The Disappointment of Christina G. Rossetti’, Essays in Criticism 47 (1997), 107–42 (p. 107).

  8. 8.

    Letitia Elizabeth Landon: Selected Writings, ed. Jerome McGann and Daniel Riess (Ontario: Broadview, 1997), p. 122 (ll. 276–77).

  9. 9.

    Ian Craib, The Importance of Disappointment (London: Routledge, 1994), p. 4.

  10. 10.

    The Poetical Works of William Wordsworth, ed. Ernest de Selincourt and Helen Darbishire, 5 vols (Oxford, 1940–49), III, p. 494.

  11. 11.

    The other option is to avoid reality altogether. Stacey McDowell has written very well about how the premise of ‘unvisiting’ in Wordsworth ‘precipitates a mixed feeling, where the sense of a place retaining the glow of an ideal is balanced against the suspicion that should one actually “visit” the place, the result would be a disappointment’. See ‘Rhyming and Undeciding in Wordsworth and Norman Nicholson’, Romanticism 23 (2017), 179–90 (p. 179).

  12. 12.

    Unless stated otherwise, Wordsworth’s poetry is quoted from Wordsworth’s Poetry and Prose, ed. Nicholas Halmi (New York: Norton, 2014).

  13. 13.

    Frances Wilson, ‘Wordsworth’s Sweating Pages: The Love Letters of William and Mary Wordsworth’, Letter Writing Among Poets, ed. Jonathan Ellis (Edinburgh: Edinburgh University Press, 2015), 81–94 (p. 87).

  14. 14.

    Griffiths, p. 110.

  15. 15.

    Alexander Freer, ‘Wordsworth and the Poetics of Disappointment’, Textual Practice 28 (2014), 1123–44 (p. 1130). Freer offers a fine account of the way that ‘erotic and poetic frustration’ bear upon ‘literary reading’ (p. 1124). Relevant to my concerns is his remark about the closing lines of ‘Simon Lee’: ‘Without an end, we can always anticipate gratification’ (p. 1140).

  16. 16.

    Christopher Ricks, Tennyson ([1972]; Berkeley: University of California Press, 1989), p. 117.

  17. 17.

    Wilson, p. 84.

  18. 18.

    The Fight and Other Writings, ed. Tom Paulin and David Chandler (London: Penguin, 2000), p. 250.

  19. 19.

    Laura Quinney, The Poetics of Disappointment: Wordsworth to Ashbery (Charlottesville: University Press of Virgina, 1999), p. ix.

  20. 20.

    Helen Vendler, Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery (Princeton: Princeton University Press, 2005), p. 11.

  21. 21.

    Poetry and Prose, p. 501.

  22. 22.

    Craib, pp. 3–4.

  23. 23.

    Hazlitt, p. 314.

  24. 24.

    Walter Pater, ‘Wordsworth’ (1874), Appreciations (London: Macmillan, 1901), p. 54.

  25. 25.

    ‘A Man Meets a Woman in the Street’, Randall Jarrell: The Complete Poems (New York: Farrar, Straus, and Giroux, 1969), pp. 351–53.

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Clarkson, O. (2020). The Disappointment of Wordsworth’s Letters. In: Callaghan, M., Howe, A. (eds) Romanticism and the Letter. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-29310-9_4

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