Abstract
This chapter will revolve around a film strategy that attests a gap of interpretation in City of Glass. Such a gap is established in the film through multiple layers of narrative, which indicates nuances. At the juncture of historiographical and fictional representations in cinema, different and/or contradictory interpretations may be derived through the gap. As a result, what have been conventionally unrepresentable and non-represented can be revealed. I shall borrow Paul Ricoeur’s terminology about the temporal character of plot, and systemically unfold how the film turns around the conventional practices by problematizing such a temporal character of plot. This chapter describes how the film exposes the spectators to such a temporal character of plot and thus the workings of ideological representation for a critical appraisal of their own spectatorship. It also analyses how a film may enable the spectator-subject to derive a better and/or new understanding of life, truth and history.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Chan, Km.E.E. (2019). City of Glass: A Temporal Character of Plot. In: Hong Kong Dark Cinema. East Asian Popular Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-28293-6_4
Download citation
DOI: https://doi.org/10.1007/978-3-030-28293-6_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-28292-9
Online ISBN: 978-3-030-28293-6
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)