Abstract
The conclusion draws together the key themes of the book’s exploration of New York’s animation culture, and discusses how new ways of using, understanding and creating animation were generated within this culture. Crossing boundaries between cultural fields, enlivening existing arts and opening up new ways of seeing, animation offered an expansive and creative form for advertisers, artists, designers and filmmakers during this febrile period in its rich and multifaceted history.
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References
Bel Geddes, Norman. Theater and Industrial Design Papers, Harry Ransom Center, University of Texas at Austin.
Cameron, Kate. “Disney’s ‘Fantasia’ a Work of Film Art.” Daily News, November 14, 1940.
Cochrane, I. L., ed. Display Animation, 1936: The Year Book of Motion Displays. New York: Reeder-Morton Publications, 1936.
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Moen, K. (2019). Conclusion. In: New York's Animation Culture. Palgrave Animation. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-27931-8_6
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DOI: https://doi.org/10.1007/978-3-030-27931-8_6
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Publisher Name: Palgrave Macmillan, Cham
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Online ISBN: 978-3-030-27931-8
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