Abstract
Dance with Nothing but Heart (2001) is a collaborative performance by Steven Cohen and his “life-partner in love and ‘outlaw’ dance”, Elu, in which Elu dances naked with an ox’s heart. I argue that the interaction between sex/gender and species in this performance vexes the Western humanist subject through queering its death-bearing, carnophallogocentric relation to what it calls ‘animal’. Drawing on Jacques Derrida’s deconstructive ethics of “eating well”, and Judith Butler’s politics of performativity and grievability, I read the auto-affective ‘taste’ at stake in this work as always already in relation to an alterity that exceeds it and conditions how we ‘carry’ and ‘eat’ the dead. The performance renders “limitrophic” the limit between human and animal and subjects its hetero-patriarchal privileges to differánce. This work turns choreographic improvisations into an ethico-politics in which the relation between self, animal, and death is exposed to, in Derrida’s words, an “infinite hospitality” that passes, queerly, by way of the heart (and the mouth).
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Lipschitz, R. (2019). Dance with Nothing but Heart (2001): Death, the ‘Animal’ and the Queer ‘Taste’ of the Other . In: McCorry, S., Miller, J. (eds) Literature and Meat Since 1900. Palgrave Studies in Animals and Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-26917-3_13
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