Skip to main content

Of Pallus and Pants: Fabricating the New Woman of the New Nation in Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955)

  • Chapter
  • First Online:
'Bad' Women of Bombay Films

Abstract

Andaz (1949) was the top grossing Hindi film ever at the time of its release. Mr. and Mrs. 55 (1955) was a very successful romantic comedy by the tragic-romantic auteur Guru Dutt. Raj Kapoor’s Shri 420 (1955) is an iconic Hindi film. The chapter argues that all three films are concerned with the ‘New Woman’ of newly decolonised India and draws upon the debates around the contemporary contentious Hindu Code Bill that sought to organise, restructure and reform Hindu personal law predicated on a radical positioning of women as autonomous, modern individuals. The chapter demonstrates how these popular films participate in the anxious discourse of the New Woman and comprise attempts to ‘normalise’ her. And yet the complex negotiations of modernity and patriarchy in the young nation may be recuperated from these films despite their melodramatic formulations and patriarchal romance.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Hereafter referred to as ‘the Bill’.

  2. 2.

    In the speech that he delivered while introducing the ‘Hindu Code Bill’ in the Constituent Assembly in 1947, Dr B.R. Ambedkar defined civil and sacramental unions.

  3. 3.

    There is a contemporary debate on the ‘radical’ nature of the Hindu Code Bill; the extent to which it represented the heterogeneous practices held under the rubric ‘Hindu’ and also the extent to which it was an advance for women’s rights. See Agnes (2011).

  4. 4.

    In the Indian context, the ‘New Woman’ is a term used to describe women, particularly those from urbanised, elite families, whose lifestyles changed as a result of social reforms and of the promotion of female education in the nineteenth century.

  5. 5.

    All translations of the dialogues, which were originally in Hindi, are mine. English words in the original dialogues are marked with an asterisk ∗.

  6. 6.

    Sinha (2012: 157).

  7. 7.

    Rajadhyaksha and Willemen (1998: 175).

  8. 8.

    In the 1940s, for instance, Mahila Atma Raksha Samiti (MARS) vigorously campaigned against rising food prices and promoted self-defence training among women. Their gatherings were attended by hundreds of women. The upper-middle class, educated Godavari Parulekar, worked extensively to emancipate Warli women in Maharashtra who were systemically oppressed along class, caste and gender lines. Forbes (2008: 210–211, 216).

  9. 9.

    See, for instance, Gairola (2014: 99–100).

  10. 10.

    Sinha (2012: 59).

  11. 11.

    ‘About Us’ http://www.freepressjournal.in/about-us

  12. 12.

    Chatterjee (1990: 233–253, 238).

  13. 13.

    Sarkar (2000: 601–622, 601).

  14. 14.

    Forbes (2008: 59).

  15. 15.

    Ibid (2008): 90.

  16. 16.

    This song sung by Maya, who was later joined by Raj, went on to become an iconic hit. Music: Shankar-Jaikishan. Lyrics: Shailendra.

Works Cited

Films

  • Andaz. Directed by Mehboob Khan. Produced by Mehboob Khan. India: Mehboob Productions, 1949. DVD.

    Google Scholar 

  • Mr. and Mrs. 55. Directed by Mehboob Khan. Produced by Mehboob Khan. India: Ultra Distributors Ltd, 1955. DVD.

    Google Scholar 

  • Shri 420. Directed by Raj Kapoor. Produced by Raj Kapoor. India: R.K. Studios, 1955. DVD.

    Google Scholar 

Books

  • Agnes, Flavia. Law, Justice, and Gender, Vol. 1. (New Delhi: Oxford University Press, 2011).

    Google Scholar 

  • Forbes, Geraldine. Women in Modern India (New York: Cambridge University Press, 2008).

    Google Scholar 

  • Kasbekar, Asha. Pop Culture India!: Media, Arts, and Lifestyle (Santa Barbara: ABC CLIO., 2006).

    Google Scholar 

  • Kaur, Raminder and Ajay Sinha, ed. Bollyworld: Popular Indian cinema through a Transnational lens (New Delhi: Sage Publications, 2005).

    Google Scholar 

  • Kaviraj, Sudipta. The Trajectories of the Indian State: Politics and Ideas (New Delhi: Permanent Black, 2010).

    Google Scholar 

  • Khanduri, Ritu Gairola. Caricaturing Culture in India: Cartoons and History in the Modern World (Cambridge: Cambridge University Press. 2014).

    Book  Google Scholar 

  • Kumar, Radha. The History of Doing: An Illustrated Account of Movements for Women’s Rights and Feminism in India, 1800–1990 (New Delhi: Zubaan. 1993).

    Google Scholar 

  • Rajadhyaksha, Ashish and Paul Willemen. Encyclopedia of Indian Cinema (New Delhi: Oxford University Press, 1998).

    Google Scholar 

  • Sinha, Chitra. Debating Patriarchy: The Hindu Code Bill Controversy in India (New Delhi: Oxford University Press, 2012).

    Book  Google Scholar 

  • Varia, Kish. Bollywood: Gods, Glamour, and Gossip (New York: Columbia University Press, 2012).

    Google Scholar 

  • Vasudevan, Ravi. Making Meaning in Indian Cinema (Oxford University Press: New Delhi, 2000).

    Google Scholar 

  • Virdi, Jyotika. The cinematic ImagiNation: Indian popular films as social history (New Brunswick: Rutgers University Press, 2003).

    Google Scholar 

Articles in Books and Journals

  • Ambedkar, B.R. ‘Hindu Code’. Speech. Vasant Moon ed. Dr. Babasaheb Ambedkar: Writings and Speeches Vol. 14, Part-1 (1947. New Delhi: Dr. Ambedkar Foundation, 2014), 12.

    Google Scholar 

  • Banningan, John A. “The Hindu Code Bill”. Far Eastern Survey. 21. 17 (1952), 173–176.

    Article  Google Scholar 

  • Berry, Kim. “Lakshmi and the Scientific Housewife: A Transnational Account of Indian Women’s Development and Production of an Indian Modernity”. Economic and Political Weekly, 38. 11 (January, 2003), 1055–1068.

    Google Scholar 

  • Bose, Brinda. “Modernity, Globality, Sexuality, and the City: A Reading of Indian Cinema”. The Global South (2008), 2. 1: 35–58.

    Article  Google Scholar 

  • Chatterjee, Partha. “Colonialism, Nationalism, and Colonialized Woman: The Contest in India”. American Ethnologist 16:4 (1989), 622–633.

    Article  Google Scholar 

  • ——— 1990. “The Nationalist Resolution of the Women’s Question”. Kumkum Sangari and Sudesh Vaid ed. Recasting Women: Essay in Colonial History (Rutgers University Press New Jersey), 233–253.

    Google Scholar 

  • Datta, Sangeeta. “Globalisation and Representations of Women in Indian Cinema”. Social Scientist. 28. 3/4 (2000), 71–82.

    Article  Google Scholar 

  • Deshpande, Anirudh. “Indian Cinema and the Bourgeois Nation State”. The Economic and Political Weekly. 42. 50 (2007), 95–101.

    Google Scholar 

  • Dwyer, Rachel. “Bollywood Bourgeois”. India International Centre Quarterly. 33. 3/4 (2006), 222–231.

    Google Scholar 

  • ———. “Fire and Rain, The Tramp and The Trickster: Romance and the Family in the Early Films of Raj Kapoor”, The South Asianist, Vol. 2, No. 3 (2013), 9–32.

    Google Scholar 

  • Freedman, Estelle B. “The New Woman: Changing Views of Women in the 1920s”. The Journal of American History. Vol. 61, No.2 (1974), 372–393.

    Google Scholar 

  • Gehlawat, Ajay. “Introduction: Reframing Bollywood” and “Chapter 1: Bollywood and its Implied Viewers”. Ajay Gehlawat ed. Reframing Bollywood: theories of popular Hindi Cinema (New Delhi: Sage Publications, 2010), xi–xxiv; 1–29.

    Google Scholar 

  • MacPike, Loralee. “The New Woman, Childbearing, and the Reconstruction of Gender, 1880–1900”. NWSA Journal, Vol. 1, No. 3 (1989), 368–397. 

    Google Scholar 

  • Ramamurthy, Priti. “The Modern Girl in India in the Interwar Years: Interracial Intimacies, International Competition, and Historical Eclipsing”. Women’s Studies Quarterly, Vol. 34, No. 1/2 (2006), 197–226. 

    Google Scholar 

  • Sarkar, Tanika. “A Pre-history of Rights: The Age of Consent Debate in Colonial Bengal”, Feminist Studies, Vol. 26, No. 3 (2000), 601–622. 

    Article  Google Scholar 

  • Thomas, Rosie. “Sanctity and Scandal: The Mythologization of Mother India”. Quarterly Review of Film and Video, No. 11, No. 3 (1989), 11–30. 

    Google Scholar 

  • Virdi, Jyotika. “Mr. and Mrs. 55: Comedy of Gender, Law, and Nation”. Jump Cut 43 (2000), 75–85. 

    Google Scholar 

Webpages

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Mittal, N. (2019). Of Pallus and Pants: Fabricating the New Woman of the New Nation in Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955). In: Sengupta, S., Roy, S., Purkayastha, S. (eds) 'Bad' Women of Bombay Films. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-26788-9_16

Download citation

Publish with us

Policies and ethics