Abstract
This chapter deals with creative emergence—a maturity beyond the larval (temporal) stage. The process of getting out of the temporalizing habit, that is, manufacturing a world through temporal synthesis, is a process of dis-adjustment and aversion, which is the first, but by no means an easy, step. We begin by questioning and de-valorizing clock time. This does not mean that we stop living by clock time—that is absurd and obviously impossible. It means that we become critical of it through a process of careful observation in which the immediate data of our consciousness begins to surface. It is the immediate data of consciousness that learns to resist chronic time and not some mental decision to do so. But what is immediate data of consciousness? Behind the uniformity of social chatter and cultural pulls and pushes that organize the mental plane, there is a continual upsurge of pre-representational flow that has no name or image. Once past convention and entrenched habit we become intuitively attuned to this flow. Our task is to learn to pay attention to this flow unmanaged and unmediated by the concept. This is the creative tension in teacher practice.
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Notes
- 1.
T. S. Eliot, “The Love Song of J. Alfred Prufrock,” available in the public domain at: https://poets.org/poem/love-song-j-alfred-prufrock.
- 2.
Ibid.
- 3.
Ibid.
- 4.
Martin Heidegger, Being and Time (Transl.) Joan Stambaugh (New York: SUNY Press, 1996), p. 321. Italics mine.
- 5.
F. L. Pogson, “Translator’s Preface,” in Henri Bergson, Time and Free Will (New York: Dover Publications, 2001), pp. vi–vii.
- 6.
An elephant does not call itself an elephant, nor see or manage its relations from the vantage of that supervening image. It is a human-invented species category conferred on that organism. In case of the human, it is a self-invented category that is then taken to be a consistent description with objective meaning.
- 7.
Ibid., p. xix.
- 8.
H. Wildon Carr, The Philosophy of Change: A Study of the Fundamental Principle of the Philosophy of Bergson (London: Macmillan, 1914), p. 7.
- 9.
Ibid., pp. 15–16.
- 10.
Albert Einstein, “On the Electrodynamics of Moving Bodies,” in The Principle of Relativity (London: Methuen, 1923), p. 25.
- 11.
Carr, op. cit., p. 11.
- 12.
Henri Bergson, Matter and Memory, pp. 44–45, originally published in 1896; entire text now available in the public domain at: http://www.reasoned.org/dir/lit/matter_and_memory.pdf.
- 13.
Ibid., pp. 46–47. The entire text is in the public domain.
- 14.
One might even say, by the very dint of our analysis, that institutions are stillborn. To confuse education with institutions of education (such as schooling) is therefore problematic. We, as teachers, must continually deinstitutionalize ourselves and what we do, and must continually attempt to re-aestheticize that which we call the curriculum.
- 15.
John Keats, Ode on a Grecian Urn, available in the public domain at: https://poets.org/poem/ode-grecian-urn.
References
Albert Einstein, “On the Electrodynamics of Moving Bodies.” In The Principle of Relativity (London: Methuen, 1923).
F. L. Pogson, “Translator’s Preface.” In Henri Bergson, Time and Free Will (New York: Dover Publications, 2001).
H. Wildon Carr, The Philosophy of Change: A Study of the Fundamental Principle of the Philosophy of Bergson (London: Macmillan, 1914).
Henri Bergson, Matter and Memory, originally published in 1896. Retrieved from http://www.reasoned.org/dir/lit/matter_and_memory.pdf.
John Keats, Ode on a Grecian Urn. Retrieved from https://poets.org/poem/ode-grecian-urn.
Martin Heidegger, Being and Time (Transl.) Joan Stambaugh (New York: SUNY Press, 1996).
T. S. Eliot, “The Love Song of J. Alfred Prufrock.” Retrieved from https://poets.org/poem/love-song-j-alfred-prufrock.
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Roy, K. (2019). Time and the Creative Tension. In: Teachers and Teaching . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-24670-9_7
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