Abstract
This research presents an overview of the extended applications of enactive and embodied music cognition within creative music and sonic art practice. Digital and haptic technologies, improvisation, and performance have been used to explore a range of interdisciplinary collaborations from pedagogy to health and wellbeing, as well as music perception.
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Images courtesy of Craig Jackson and Jason Thrasher.
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1 Electronic Supplementary Material
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Excerpts from audio-haptic installation, Skin Music, 2012 (MOV 42744 kb)
476737_1_En_7_MOESM2_ESM.mp4
Figurine-Operated String, 2012 (for piano and live electronics) (MP4 29419 kb)
Improvising with the hybrid analogue-digital performance system (MP4 82148 kb)
Media Example 2
Figurine-Operated String, 2012 (for piano and live electronics) (MP4 29419 kb)
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Hayes, L. (2019). PARIESA: Practice and Research in Enactive Sonic Art. In: Contreras-Vidal, J., Robleto, D., Cruz-Garza, J., Azorín, J., Nam, C. (eds) Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity. Springer Series on Bio- and Neurosystems, vol 10. Springer, Cham. https://doi.org/10.1007/978-3-030-24326-5_7
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