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Introduction

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Part of the book series: Palgrave Studies in Literature, Science and Medicine ((PLSM))

Abstract

This introduction discusses the existing scholarship on poetry and psychology in the early nineteenth century, and explores some of the reasons why the relationship between inspiration and insanity in post-Romantic British poetry has not been investigated previously. It describes the reasoning behind the use of Tennyson and Browning as case studies, and lays out the methodology and chapter breakdown of the rest of the book.

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References

  • Armstrong, Isobel. 1996. Victorian Poetry. London: Routledge.

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  • D’Israeli, Isaac. 1822. The Literary Character, Illustrated by the History of Men of Genius. 3rd ed., 2 vols. London: John Murray.

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  • Faas, Ekbert. 1988. Retreat into the Mind: Victorian Poetry and the Rise of Psychiatry. Princeton: Princeton University Press.

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  • Felluga, Dino. 2005. The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius. New York: New York State University Press.

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  • Madden, Richard. 1833. The Infirmities of Genius. 2 vols. Philadelphia: Carey, Lee, and Blanchard.

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  • Whitehead, James. 2017. Madness and the Romantic Poet: A Critical History. Oxford: Oxford University Press.

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Crawford, J. (2019). Introduction. In: Inspiration and Insanity in British Poetry. Palgrave Studies in Literature, Science and Medicine. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-21671-9_1

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