Abstract
Flamenco is a rich performance-oriented art music genre from Southern Spain which attracts a growing community of aficionados around the globe. Due to its improvisational and expressive nature, its unique musical characteristics, and the fact that the genre is largely undocumented, flamenco poses a number of interesting mathematical and computational challenges. Most existing approaches in Musical Information Retrieval (MIR) were developed in the context of popular or classical music and do often not generalize well to non-Western music traditions, in particular when the underlying music theoretical assumptions do not hold for these genres. Over the recent decade, a number of computational problems related to the automatic analysis of flamenco music have been defined and several methods addressing a variety of musical aspects have been proposed. This paper provides an overview of the challenges which arise in the context of computational analysis of flamenco music and outlines an overview of existing approaches.
This research has received funding from the Junta de Andalucía (project P12-TIC-1362), Spanish Ministry of Economy and Competitiveness (project MTM2016-76272-R AEI/FEDER, UE), and the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 734922.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Aichholzer, O., Caraballo, L.E., Díaz-Báñez, J.M., Fabila-Monroy, R., Ochoa, C., Nigsch, P.: Characterization of extremal antipodal polygons. Graphs Comb. 31(2), 321–333 (2015)
Barba, L., Caraballo, L.E., Díaz-Báñez, J.M., Fabila-Monroy, R., Pérez-Castillo, E.: Asymmetric polygons with maximum area. Eur. J. Oper. Res. 248(3), 1123–1131 (2016)
Bereg, S., Díaz-Báñez, J.M., Kroher, N., Ventura, I.: Computing melodic templates in oral music traditions. Appl. Math. Comput. 44(1), 219–229 (2019)
Caraballo, L.E., Díaz-Báñez, J.M., Pérez-Castillo, E.: Finding unknown nodes in phylogenetic graphs. In: Ortuño, F., Rojas, I. (eds.) IWBBIO 2015. LNCS, vol. 9043, pp. 403–414. Springer, Cham (2015). https://doi.org/10.1007/978-3-319-16483-0_40
Chemillier, M., Truchet, C.: Computation of words satisfying the rhythmic oddity property (after Simha Arom’s works). Inf. Process. Lett. 86(5), 255–261 (2003)
COFLA Homepage. http://www.cofla-project.com. Accessed 14 Mar 2019
Díaz-Báñez, J.M.: Mathematics and flamenco: an unexpected partnership. Math. Intell. 39(3), 27–39 (2017)
Díaz-Báñez, M., Farigu, G., Gómez, F., Rappaport, D., Toussaint, G.T.: El compás flamenco: a phylogenetic analysis. In: Proceedings of BRIDGES: Mathematical Connections in Art, Music and Science, pp. 61–70. Southwestern College, Winfield(2004)
Díaz-Báñez, J.M., Farigu, G., Gómez, F., Rappaport, D., Toussaint, G.T.: Similaridad y evolución en la rtmica del flamenco: una incursión de la matemática computacional. La Gaceta de la Real Sociedad Matemática Española 82, 489–509 (2005)
Díaz-Báñez, J.M., Kroher, N., Rizo, J.: Efficient algorithms for melodic similarity in flamenco singing. In: Proceedings of the 5th International Workshop on Folk Music Analysis (FMA), Paris, France (2015)
Díaz-Báñez, J.M., Rizo, J.C.: An efficient DTW-based approach for melodic similarity in flamenco singing. In: Traina, A.J.M., Traina, C., Cordeiro, R.L.F. (eds.) SISAP 2014. LNCS, vol. 8821, pp. 289–300. Springer, Cham (2014). https://doi.org/10.1007/978-3-319-11988-5_27
Gómez, E., Bonada, J.: Towards computer-assisted flamenco transcription: an experimental comparison of automatic transcription algorithms as applied to a cappella singing. Comput. Music J. 37(2), 73–90 (2013)
Gómez, E., Bonada, J., Salamon, J.: Automatic transcription of flamenco singing from monophonic and polyphonic music recordings. In: Proceedings of the III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA), Seville, Spain (2012)
Guastavino, C., Gómez, F., Toussaint, G., Marandola, F., Gómez, E.: Measuring similarity between flamenco rhythmic patterns. J. New Music Res. 38(2), 129–138 (2009)
Han, Y., Kim, J., Lee, K., Han, Y., Kim, J., Lee, K.: Deep convolutional neural networks for predominant instrument recognition in polyphonic music. IEEE/ACM Trans. Audio Speech Lang. Process. 25(1), 208–221 (2017)
Kroher, N.: Flamenco music information retrieval. Ph.D. thesis, Universidad de Sevilla (2018)
Kroher, N., Díaz-Báñez, J.M.: Audio-based melody categorisation: exploring signal representations and evaluation strategies. Comput. Music J. 41(4), 1–19 (2017)
Kroher, N., Díaz-Báñez, J.M., Mora, J., Gómez, E.: Corpus COFLA: a research corpus for the computational study of flamenco music. J. Comput. Cult. Herit. 9(2), 10–21 (2016)
Kroher, N., Díaz-Báñez, J.M.: Modelling melodic variation and extracting melodic templates from flamenco singing performances. J. Math. Music (2019, to appear)
Kroher, N., Pikrakis, A., Moreno, J., Díaz-Báñez, J.M.: Discovery of repeated vocal patterns in polyphonic audio: a case study on flamenco music. In: Proceedings of 23rd European Signal Processing Conference (EUSIPCO), Nice, France, pp. 41–45. IEEE (2015)
Kroher, N., Pikrakis, A., Díaz-Báñez, J.M.: Discovery of repeated melodic phrases in folk singing recordings. IEEE Trans. Multimed. 20(6), 1291–1304 (2018)
Kroher, N., Gómez, E.: Automatic transcription of flamenco singing from polyphonic music recordings. IEEE Trans. Audio Speech Lang. Process. 24(5), 901–913 (2016)
Montiel, M., Peck, R.W.: Mathematical Music Theory: Algebraic, Geometric, Combinatorial, Topological and Applied Approaches to Understanding Musical Phenomena. World Scientific Publishing, London (2018)
Mora, J., Gómez, F., Gómez, E., Díaz-Báñez, J.M.: Melodic contour and mid-level global features applied to the analysis of flamenco cantes. J. New Music Res. 45(2), 145–159 (2016)
Mora, J., Gómez, F., Gómez, E., Escobar, F.J., Díaz-Báñez, J.M.: Characterization and melodic similarity of a cappella flamenco cantes. In: Proceedings of the 11th Conference of the International Society for Music Information (ISMIR), Utrecht, Holland (2010)
Oramas, S., Gómez, F., Gómez, E., Mora, J.: FlaBase: towards the creation of a flamenco music knowledge base. In: Proceedings 16th International Society for Music Information Retrieval Conference (ISMIR), Málaga, Spain (2015)
Pikrakis, A., et al.: Tracking melodic patterns in flamenco singing by analyzing polyphonic recordings. In: Proceedings of the 13th Conference of the International Society for Music Information Retrieval, ISMIR, Porto, Portugal (2012)
Pikrakis, A., Kroher, N., Díaz-Báñez, J.M.: Detection of melodic patterns in automatic flamenco transcriptions. In: Proceedings of the 6th International Workshop on Folk Music Analysis (FMA), pp. 14–17 (2016)
Schluter, J., Bock, S.: Improved musical onset detection with convolutional neural networks. In: IEEE International Conference on Acoustics, Speech and Signal Processing ICASSP, Florence, Italy, pp. 6979–6983 (2014)
Van den Oord, A., Dieleman, S., Schrauwen, B.: Deep content-based music recommendation. In: Advances in Neural Information Processing Systems (NIPS), pp. 2643–2651 (2013)
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 Springer Nature Switzerland AG
About this paper
Cite this paper
Díaz-Báñez, JM., Kroher, N. (2019). Maths, Computation and Flamenco: Overview and Challenges. In: Montiel, M., Gomez-Martin, F., Agustín-Aquino, O.A. (eds) Mathematics and Computation in Music. MCM 2019. Lecture Notes in Computer Science(), vol 11502. Springer, Cham. https://doi.org/10.1007/978-3-030-21392-3_29
Download citation
DOI: https://doi.org/10.1007/978-3-030-21392-3_29
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-030-21391-6
Online ISBN: 978-3-030-21392-3
eBook Packages: Computer ScienceComputer Science (R0)