Abstract
This chapter considers how numerous editors of The Elements of Euclid, the first mathematics textbook, began their Euclidean journeys with virtually identical copy; however, their differing treatments, and their interpretations of their contemporary style guides, typify idiosyncratic editorial experiences. To demonstrate this, Barrow’s 1660, 1686 and 1705 editions are studied; and Simson’s influential 1756 edition is also treated briefly for comparative purposes. The editorial performances of Barrow and Simson are examined with reference to Joseph Moxon’s Mechanick Exercises (1683) and John Smith’s The Printer’s Grammar (1755), respectively.
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Notes
- 1.
Note that the first edition was published in 1908.
- 2.
See also Stakhov (2009, 2).
- 3.
- 4.
See also Klein (1992, 259).
- 5.
Simpkins (1966, 249) writes that ‘[by] the end of the seventeenth century Euclid was established as part of the liberal education of a gentleman and as a basic discipline for navigators and military scientists; he was read by the academic and the practical man, and neither had the monopoly of translating or interpreting the texts’.
- 6.
Simpkins (1966, 243) states that Barrow ’s Euclid ‘was clearly influential as the first cheap and compact, but reliable and complete edition, available first in academic circles and later to students of mathematics and navigation outside the universities’.
- 7.
- 8.
Barrow -Green (2007, 19) similarly identifies Barrow ’s editorial innovation : ‘A further novelty of Barrow ’s presentation is the placing of references to previous propositions etc. in the margin, which not only makes the references easier to see but also highlights the axiomatic structure of the whole enterprise’.
- 9.
Note that the 1686 second edition presents this breakout text with centred justification, whereas the 1705 third edition reinstates Barrow ’s 1660 left alignment with first-line indentation .
- 10.
According to Bonnell (2008, 47), Robert and Andrew Foulis printed their Greek and Latin publications using the imprint ‘Glasguae: in aedibus academicis excudebant Robertus et Andreas Foulis Academiae Typographi’.
- 11.
See also Trail (1812, 80).
- 12.
See also Drake (1970, 43–52).
- 13.
Goldstein (2000, 49) also provides examples of Simson ’s ‘startling’ alterations: ‘He split numerous diagrams into multiple pieces to make them easier to follow. In his edition V(8) mutated into three diagrams, while V(10) fell into six, each corresponding to one magnitude’.
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Hargrave, J. (2019). Eighteenth-Century Editorial Style at Work: The Editing of The Elements of Euclid by Isaac Barrow and Robert Simson. In: The Evolution of Editorial Style in Early Modern England. New Directions in Book History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-20275-0_5
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