Abstract
This book is a collection of essays based on lectures delivered at the Academy of Ideas Academy in July 2017. The Academy that year was devoted to an exploration of the rise and the fall of the self. As organisers of the event, Angus Kennedy, Josie Appleton, Tim Black, and I were particularly interested in exploring the peculiar ways in which selfhood is problematised in contemporary society—for example, on the one hand, there is our increasing obsession with the fixed corporeality of selfhood (biology, sex, colour, and so on) which, on the other hand, sits beside a rather hollowed out, and increasingly abstract, form of universal selfhood (the cosmopolitan self who is a citizen of the world but with nowhere to call home). We began by considering a more or less classical, Enlightenment-liberal, notion of the self which emerges historically through the location of human subjectivity in some variant of individual freedom or autonomy: freedom or autonomy is taken to be the condition for individuals to undertake projects, often in collaboration with other individuals, in the pursuit of common interests. By contrast, formulations of the self that we can begin to uncover in much contemporary social and political discussion seem to begin from a disavowal of the self as a subject or agent in the world in favour of a self that is conceptualised in terms of more rigid categories of identity: what I am, it seems, has become more important than what I might make of myself.
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Notes
- 1.
This ‘Enlightenment’ model should not be read too crudely: the model of Enlightenment universalism in opposition to Romantic particularism has always missed the point that Hegel, perhaps more than any other thinker, understood: that the universal ‘is neither seen nor heard,’ it is realised only in the form of the particular (1830 [2010]).
- 2.
Recent research by Mastercard has found that the use of ‘I’ and ‘me’ in pop songs has eclipsed that of ‘you,’ rising by 43 per cent in the 20 years to 2018. Songs about sex are out (it takes a you to tango after all) with a fall of 69 per cent, but the words ‘body’ and ‘pretty’ have increased by 428 and 2300 per cent, respectively (MasterCard Social Newsroom 2019).
References
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MasterCard Social Newsroom. (2019). Selfie generation’s music is all about me, me, me…. [Online]. Retrieved January 6, 2019, from https://newsroom.mastercard.com/eu/press-releases/selfie-generations-music-is-all-about-me-me-me/.
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Panton, J. (2019). Introduction: Classical and Contemporary Forms of Alienation. In: Kennedy, A., Panton, J. (eds) From Self to Selfie. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-19194-8_1
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DOI: https://doi.org/10.1007/978-3-030-19194-8_1
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