Abstract
Part Four, National identity and the way bereaved parents cope, deals with Palestinian national identity and the transformation of Palestinian bereaved parents into a symbol of the Palestinian national struggle. This chapter examines the process of nationalization of Palestinian mourning and its transformation from personal grief and loss into collective loss, intended to support a collective Palestinian national agenda. The chapter attempts to pinpoint the connection point between the national dimension and the religious dimension in shaping the collective bereavement of Palestinian society. The religious discourse is linked to the national discourse in a way that promotes the national agenda of Palestinian society. The chapter examines the nature of sacrifice and bereavement in Palestinian society and the added meanings that have succeeded in shaping a new national-religious culture around the subject of bereavement and sacrifice. In this chapter, I attempt to understand how this culture was able to transform individual bereavement into collective bereavement with the aim of shaping a Palestinian national memory. I termed this process the “politi-religization (politidatiya) of bereavement.” The expectation that Palestinian parents are sacrificing their child for the concept of national hegemony has created the process of nationalization of bereavement and transformed bereavement from a private, individual matter into a collective process.
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- 1.
Shenhav (2001 [Hebrew]).
- 2.
- 3.
- 4.
Bishara (1999 [Hebrew]) and Herzog (2010 [Hebrew]).
- 5.
Riggs (1991).
- 6.
Shenhav (2001 [Hebrew]).
- 7.
- 8.
- 9.
- 10.
Manaa (1999 [Hebrew]).
- 11.
The word “Nakba,” an Arabic work meaning a major catastrophe, became synonymous with the expulsion, massacre and plundering of the country’s Palestinian residents and the prevention of the refugees’ return to their homes at the end of the 1948 war.
- 12.
- 13.
Said (2001 [Hebrew? Arabic?]).
- 14.
Al-Naksa, meaning “defeat” in Arabic, is the name given to the defeat of the armies of Egypt, Syria and Jordan during the 1967 war. For Arabs in general and Palestinians in particular, this occurrence constituted a second round of defeat for Palestinians, following the Nakba.
- 15.
- 16.
Shikaki (1999 [Hebrew]).
- 17.
- 18.
Jad (1992 [Hebrew]).
- 19.
Shikaki (1999).
- 20.
Zartal (2002).
- 21.
- 22.
Granot (1976 [Hebrew]).
- 23.
Evans (2007).
- 24.
Rothenberg (2005 [Hebrew]).
- 25.
Tzorf (2004 [Hebrew]).
- 26.
Bhabha (1994).
- 27.
Evans (2007).
- 28.
Gershoni (2006).
- 29.
Sivan (1986 [Hebrew]).
- 30.
Evans (2007).
- 31.
- 32.
- 33.
After the version by Daniel Roters, at: https://www.youtube.com/watch?v=HtSPJ4wEHrA.
- 34.
The inattention to the needs of Palestinian women in the poems of Darwish cannot but make me think of Ibrahim’s inattention to Hagar or Sarah in the story of the binding. Hagar and Sarah are given no response or mention in the story of the binding in the Qur’anic text. They appear in later texts, for example that of Al-Tabari (839 and 923 AD), who drew on earlier scholars of the Hadith. At the time of the binding, Isaac said: “My father, tie the rope tightly around me so that I will stay still, and remove your clothing so that my tears do not splash it, because when Sarah sees this, she will be shocked. Slice the blade cleanly and fast across my neck so that my death will be easy. And when you return to Sarah, bless her that she may have peace” (Al-Tabari 2000). That the Qur’anic text ignores the needs, beliefs and views of Hagar and Sarah while later texts mention rituals to ease their maternal pain, brings to mind the current reality of Palestinian mothers in particular and of mothers in general, whose children are caught up in any political conflict.
- 35.
Enloe (1989).
- 36.
Tzorf (2004).
- 37.
McClintock (1993).
- 38.
Evans (2007).
- 39.
Maitse (2000).
- 40.
Shalhoub-Kevorkian (2003).
- 41.
The play Blood Wedding (Bodas de Sangre) was written in 1933. It is a story of love, betrayal and revenge whose central character is a bride who plans to run away with her lover after her marriage ceremony. On the eve of her wedding, the bride flees with her chosen consort toward their intended freedom, toward destiny, toward death. The betrayed groom decides to pursue them; when he finds them, he challenges the lover to a duel in which they are both killed.
- 42.
Gilboa (1991 [Hebrew]).
- 43.
- 44.
Tzorf (2004 [Hebrew]).
- 45.
Tzorf (2004).
- 46.
Tzorf (2004).
- 47.
Zartal (2002).
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Masarwi, M. (2019). Part Four: National Identity and the Way Bereaved Parents Cope. In: The Bereavement of Martyred Palestinian Children. Palgrave Studies in Cultural Heritage and Conflict. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-18087-4_5
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