Abstract
Wienigk suggests that collage techniques can be read as a link between the artistic approaches of the Scottish Pop artist Eduardo Paolozzi and a certain way of thinking and working philosophically, such as the one practised by Ludwig Wittgenstein. Referring to scrapbooks, texts, silkscreen, manuscripts and the process of publishing and focussing on the flatness of each example, Wienigk shows a whole range of collage elements, which allow seeing similarities in the work of Paolozzi and Wittgenstein. The chapter revolves around three main arguments: firstly, Paolozzi’s belief in collage as a metaphor for the creative act itself; secondly, the similarities of Wittgenstein’s Philosophical Investigations with the artistic method of collage in terms of both form and content; thirdly, Paolozzi’s twofold use of collage in the screenprint portfolio As Is When—at the level of content (mixing biographical facts, anecdotes and philosophical thoughts from Wittgenstein) and at the level of technique (combining handmade collage and screenprinting). Wienigk argues that the constitutive flatness of collage is essential for the coexistence of phenomena side by side in the two-dimensional space allowing it to emphasize the principle of “as well as” rather than “either/or”.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Burr, E.T. 1992. Assembling Reminders of a Particular Purpose: An Investigation into Meaning in the Work of Eduardo Paolozzi. Doctoral thesis. University of Cambridge.
Debschitz, U., and Debschitz T. 2009. Fritz Kahn-Man Machine. Wien and New York: Springer.
Grasskamp, W. 2008. Die zweite Endeckung Amerikas. Britische Pop Art als Exotismus betrachtet. In Europop, exh.-cat. Kunsthaus Zürich, 48–81. Köln: DuMont.
Kirkpatrick, D. 1970. Eduardo Paolozzi. London: Studio Vista.
Konnertz, W. 1984. Eduardo Paolozzi. Köln: DuMont.
Malcolm, N. 1958. Ludwig Wittgenstein: A Memoir, with a Biographical Sketch by G.H. von Wright. Oxford: Oxford University Press.
McGuinness, B. 1988. Wittgenstein: A Life—Young Ludwig 1889–1921. London: Duckworth.
Mon, F. 1968. Arbeitsthesen zur Tagung ‘Prinzip Collage’. In Prinzip Collage, ed. Institut für moderne Kunst Nürnberg, 13–14. Neuwied: Luchterhand.
Newman, J. 1961. Science and Sensibility, 2 vols. New York: Simon & Schuster.
Paolozzi, E. 1979. Locus Solus. In Work in Progress, exh.-cat. Kölnischer Kunstverein, 7–8. Köln: Kölnischer Kunstverein.
Paolozzi, E. 1983. Where Reality Lies. Oxford Art Journal 6: 39–44.
Prater, C. 1967. Experiment in Screenprinting. Studio International 174 (895): 293 (Supplement December 1967, Lithographs and original prints).
Roditi, E. 1960. Dialogues on Art: Eduardo Paolozzi, 152–163. London: Secker & Warburg.
Roters, E. 1968. Die historische Entwicklung der Collage in der bildenden Kunst. In Prinzip Collage, ed. Institut für moderne Kunst Nürnberg, 15–41. Neuwied: Luchterhand.
Schneede, U.M. 1970. Paolozzi. In Kunst heute 16, ed. W. Spies. Stuttgart: Hatje.
Spencer, R. (ed.). 2000. Eduardo Paolozzi: Writings and Interviews. Oxford: Oxford University Press.
Stonard, J.-P. 2008. The ‘Bunk’ Collages of Eduardo Paolozzi. The Burlington Magazine, 4: 238–249.
Wittgenstein, L. 1958a. Philosophical Investigations, trans. G.E.M. Anscombe. Oxford: Blackwell.
Wittgenstein, L. 1958b. Preliminary Studies for the “Philosophical Investigations”: Generally Known as the Blue and the Brown Book. Oxford: Blackwell.
Wright, G.H. 1958. A Biographical Sketch. In A Memoir, ed. Norman Malcolm, 1–22. London: Oxford University Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Wienigk, M. (2019). Assembled Pieces: Collage Techniques in the Work of Eduardo Paolozzi and Ludwig Wittgenstein. In: Mantoan, D., Perissinotto, L. (eds) Paolozzi and Wittgenstein. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-15846-0_5
Download citation
DOI: https://doi.org/10.1007/978-3-030-15846-0_5
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-15845-3
Online ISBN: 978-3-030-15846-0
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)