Abstract
War is a highly visual and sensual affair—as is a prison sentence—yet the testimonies of those who have experienced both are rarely disseminated in aesthetic forms. In their contribution the authors start from the premise that the experiences of the convicted veteran require new forms of thinking and analysis. Drawing on the recent video production of The Separate System (2017)—produced jointly by professional artists and veterans-prisoners—they stress the importance of thus co-produced artworks in the field of artivism (or activism through art) with veterans of warfare. Artivism produces images—in a wide variety of shapes and forms—that could have the potential to significantly and directly affect the bodies of their (un)intended spectatorships and audiences by sharing some (however little) of the veterans’ experience. Moreover, the artivist process itself, which involves veterans and artists working together on the artwork, may have healing or restorative potential: in mobilising the body and in engaging and communicating with others working through and expressing past experiences, veterans and artists alike are inevitably required to take into account of the outside world (i.e. the destination of the images that they are producing), to make communicative connections, to make ‘experiencing together’ possible, to reconstitute communal life, and to actually ‘build world’.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
The Separate System (2017). Katie Davies with Andy, Billy, Callum, Danny, Gaz, Gaz, Jay, Jonno, Mark, Mark, Paul, Rob and Trevor. Commissioned and produced by FACT. Supported by the Armed Forces Covenant Fund and Paul Hamlyn Foundation. With thanks to HMP Altcourse and HMP Liverpool. Available at https://vimeo.com/228801873.
- 2.
The Reimagining the Veteran research group is a strand of the ‘artivism’ project at the Centre for Crime, Criminalisation, and Social Exclusion (CCSE) at Liverpool John Moores University.
- 3.
At an event entitled ‘To Serve’ in April (2017) The Separate System was premiered at FACT through a single screen production. Chaired by Emma Murray, a public Q and A followed this screening, taking the form of a conversation between criminology, SEA and FACT’s community programme.
References
Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised Edition. London and New York: Verso.
Armstrong, S. (2017). Seeing and Seeing-as: Building a Politics of Visibility in Criminology. In M. Brown & E. Carrabine (Eds.), Routledge International Handbook of Visual Criminology. London and New York: Routledge.
Berger, J. (1972). Ways of Seeing. London: Penguin Books.
Bergold, J., & Thomas, S. (2012). Participatory Research Methods: A Methodological Approach in Motion. Forum: Qualitative Social Research, 13(1), Art 30. Available at http://www.qualitative-research.net/index.php/fqs/article/view/1801/3334.
Berreby, D. (2008). ‘Us and Them’ the Science of Identity. Chicago: Chicago University Press.
Bishop, C. (2005). Installation Art: A Critical History. New York: Routledge.
Broadhurst, S. (1999). Liminal Acts: A Critical Overview of Contemporary Performance and Theory. London, Oxford, and New York: Bloomsbury.
Brown, M., & Carrabine, E. (2017). Routledge International Handbook of Visual Criminology. London and New York: Routledge.
Degenhardt, T. (2010). Representing War as Punishment in the War on Terror. International Journal of Criminology and Sociological Theory, 3(1), 343–358.
Evans, B. (2013). Liberal Terror. Cambridge: Polity.
Froggett, L. (2010). ‘New Model Visual Arts Organizations’ & Social Engagement’ a Technical Report. Available at https://www.researchgate.net/publication/271135665_New_Model_Visual_Arts_Organisations_Social_Engagement.
Helguera, P. (2013). Education for Socially Engaged Art: A Materials and Techniques Handbook. New York: Jorge Pinto Books.
Higate, P. (2013). ‘Switching on’ for Cash: The Private Militarised Security Contractor as Geo-Corporal Actor. In K. McSorley (Ed.), War and the Body: Militarisation, Practice and Experience. Oxon and New York: Routledge.
Jamieson, R. (1998). Towards a Criminology of War. In R. Vincenzo, N. South, & I. Taylor (Eds.), The New European Criminology, Crime and Social Order in Europe. London: Routledge.
Jordan, J. (2016). Injecting Imagination into Degrowth. Available at https://www.degrowth.info/en/dim/degrowth-in-movements/artivism/ (Accessed 22 January 2019).
Lacan, J. (1977). The Mirror Stage as Formative of the Function of the I. In J. Lacan and J. A. Miller (Eds.), Écrits [1949] (pp. 75–81). New York: W. W. Norton.
Mazzei, L. A. (2009). An Impossibly Full Voice. In A. Y. Jackson & L. A. Mazzei (Eds.), Voice in Qualitative Inquiry: Challenging Conventional, Interpretive and Critical Conceptions in Qualitative Research. Abingdon and New York, NY: Routledge.
McNeil, F. (2017). ‘Distant Voices, Coming Home’ Collaborations in Research. Available at https://collaborations-in-research.org/2017/10/24/fergus-mcneill-distant-voices-coming-home/.
McSorley, K. (2013). War and the Body. In K. McSorley (Ed.), War and the Body: Militarisation, Practice and Experience. Oxon and New York: Routledge.
Mitchell, W. J. T. (2002). Showing Seeing. The Journal of Visual Culture, 1(2), 165–181.
Mol, A. (2002). The Body Multiple: Ontology in Medical Practice. Durham. N. C. Duke University Press.
Mouffe, C. (2005a). Right-Wing Populism: The Mistakes of the Moralistic Response. Aesthetics Library.
Mouffe, C. (2005b). Which Public Space?, 165. Available at https://readingpublicimage.files.wordpress.com/2012/04/chantal_mouffe_cork_caucus.pdf.
Murray, E. (2013). Post-army Trouble: Veterans in the Criminal Justice System. Criminal Justice Matters, 94(1), 20–21.
Murray, E. (2015). Criminology and War: Seeing Blurred Lines Clearly. In S. Walklate & R. McGarry (Eds.), Transgressing the Boarders: Criminology and War. London: Routledge.
Murray, E. (2016). The Veteran Offender: A Governmental Project in England and Wales. In R. McGarry & S. Walklate (Eds.), The Palgrave Handbook of Crime and War. Cham: Palgrave Macmillan.
Murray, E., & Degenhardt, T. (2017). “You Wanna Know What Its All About” Arts with Veterans in Custody. British Society of Criminology Blog. Available at https://thebscblog.wordpress.com/2018/02/05/you-wanna-know-what-its-all-about-art-with-veterans-in-custody/.
Murray, E., & Jackson, W. (2019). What Is Gained and What Is Lost? Criminology, Art and Artivism. The Centre for Crime, Criminalisation, and Social Exclusion (Forthcoming).
Nancy, J.-L. (2010). Art Today. Journal of Visual Culture, 9(1), 91–99. https://doi.org/10.1177/1470412909354265.
Pauwels, L. (2015). Reframing Visual Social Science: Towards and a More Visual Sociology and Anthropology. Cambridge: Cambridge University Press.
Pauwels, L. (2017). Key Methods in Visual Criminology. In M. Brown & E. Carrabine (Eds.), Routledge International Handbook of Visual Criminology. London and New York: Routledge.
Rancière, J. (2009). The Emancipated Spectator. London: Verso Books.
Schept, J. (2014). (Un)Seeing Like a Prison: Counter-Visual Ethnography of the Carceral State. Theoretical Criminology, 18(2), 198–223.
Smithson, R. (1996). A Cinematic Atopia. Artforum.
Smithson, R. (1971). Art in Continual Movement. Amsterdam: Alauda Publications.
Treadwell, J. (2016). The Forces in the Firing Line? Social Policy and the ‘Acceptable Face’ of Violent Criminality. In R. McGarry & S. Walklate (Eds.), The Palgrave Handbook of Criminology and War. Palgrave Macmillan.
Walklate, S., & McGarry, R. (2015). Competing for the ‘Trace’: The Legacies of War’s Violence(s). In Criminology and War: Transgressing the Borders. Routledge.
Walklate, S., McGarry, R., & Mythen, G. (2014). Trauma, Visual Victimology and the Poetics of Justice. In A. Jacobson (Ed.), Understanding and Researching Crime and Deviance Through Creative Sources. London and New York: Routledge.
Wright Mills, C. (1959). The Sociological Imagination. Oxford: Oxford University Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Murray, E., Davies, K., Gee, E. (2019). The Separate System? A Conversation on Collaborative Artistic Practice with Veterans-in-Prison. In: Lippens, R., Murray, E. (eds) Representing the Experience of War and Atrocity. Palgrave Studies in Crime, Media and Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-13925-4_8
Download citation
DOI: https://doi.org/10.1007/978-3-030-13925-4_8
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-13924-7
Online ISBN: 978-3-030-13925-4
eBook Packages: Law and CriminologyLaw and Criminology (R0)