Abstract
This chapter investigates possible Minoan and Mycenaean cultic theatres, 2600–1100 BCE. Then it considers the development of ancient Greek theatre with the dithyrambic chorus honoring Dionysus, with Thespis as “answerer” to the chorus, and with the further emergence of many elements in the Western art form, including the Greek theatron, in the 500s–200s. And it explores ancient Roman performances, from theatre spaces and the plays of Seneca, Plautus, and Terence to the violent, mass spectacles of arena games, including the schedule of events, mythic characters, and costumes and props of gladiators—sometimes involving emperors and Christian martyrs as actors.
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Pizzato, M. (2019). Greco-Roman Beginnings of “Theatre” (as Theatron/Theatrum). In: Mapping Global Theatre Histories. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-12727-5_3
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DOI: https://doi.org/10.1007/978-3-030-12727-5_3
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