Abstract
The second film analysis, of Dogtooth, draws out how the depiction of childrearing in the film is allegorical of how we protect children from, and initiate children in to, the world. To further develop the affirmative account of upbringing, we focus on the very particular vision of language presented in the film, particularly, the specific teaching and learning of words and the world it constitutes that we see. We articulate this in relation to Stanley Cavell’s account of initiation as an expression of what we do when we ‘teach’ children about the world. We argue that the use of language in the film exposes something of our relationship to language and to our children that goes unnoticed in today’s predominant recasting of this relationship in terms of ‘parenting.’ The film asserts, albeit in a paradoxical way, the implications of the inevitability of the representativeness of the parent as a pedagogical figure.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
To see a clip from Dogtooth, see, e.g., https://www.youtube.com/watch?v=An4MP0RAjuw.
- 2.
Angelos Koutsourakis’ own argument pertains to the actors’ bodies being that medium. We think his insightful argument also ‘applies’ to Lanthimos ’ use of language .
- 3.
Eugenie Brinkema (2012, p. 3) argues that ‘any person, any object, any relationship can mean absolutely anything else’ in Dogtooth, and that this is where its ‘logic of violence’ is located. But, as we try to say here, this only holds for someone viewing from outside, and able to see a distinction between ‘normal’ and ‘unusual’ uses of words. It does not hold for the children in this film .
- 4.
We can see an example of something very similar to this in the film . At a certain point in the film Christina asks The Oldest to lick her (sexually) in exchange for a headband she brought with her. The Oldest performs the licking in what can be called (that is: what appears to us to be) a mechanical way, devoid of sexual feeling. We see this licking being repeated later in the film when the Oldest is licking the shoulders, stomach, and thighs of the Youngest. The question we ask here is whether or not she knows what the word ‘lick’ ‘means’. What she does not seem to have learned (yet) are the physical and sexual connotations of that action. Hence subsequent licking is of shoulders, inner thighs, stomach. That these licks are something to be traded, and the why of the trading, are not part (yet) of how she sees it. Paraphrasing Cavell , ‘licks’—what we call ‘licks’—do not exist in her world yet.
- 5.
- 6.
References
Arendt, H. (2006). Between past and future. New York: Penguin Group.
Brinkema, E. (2012). e.g., Dogtooth. World Picture, 7, 1–26, http://www.worldpicturejournal.com/WP_7/Brinkema.html.
Cavell, S. (1979). The claim of reason: Wittgenstein, skepticism, morality, and tragedy. New York: Oxford University Press.
Cavell, S. (1990). Conditions handsome and unhandsome: The constitution of Emersonian perfectionism. Chicago: The University of Chicago Press.
Cavell, S. (2004). Cities of words: Pedagogical letters on a register of the moral life. Cambridge: The Belknap Press of Harvard University Press.
Cavell, S. (2005). Philosophy the day after tomorrow. Cambridge: The Belknap Press of Harvard University Press.
DeFore, J. (2010). Dogtooth. Hollywood Reporter, June 15, 415.
D’Hoest, F. (2015). Exploring educational potentiality: Three stories from the film Dogtooth. In N. Vansieleghem, J. Vlieghe, and P. Verstraete (Eds.), Afterschool: Images, education and research (pp. 111–124). Leuven: Leuven University Press.
Georgakas, D. (2010). Dogtooth. Cineaste, Summer, 48–49.
Koutsourakis, A. (2012). Cinema of the body: The politics of performativity in Lars Von Trier’s Dogville and Yorgos Lanthimos’. Dogtooth. Cinema: Journal of Philosophy and the Moving Image, 3, 84–108.
Kripke, S. (1982). Wittgenstein on rules and private language: An elementary exposition. Oxford: Basil Blackwell.
Lanthimos, Y. (2009). Dogtooth, http://www.imdb.com/title/tt1379182/.
Metzidakis, S. (2014). No bones to pick with Lanthimos’ film Dogtooth. Journal of Modern Greek Studies, 32, 367–392.
Peters, M., and Stickney, J. (Eds.) (2017). A companion to Wittgenstein on education: Pedagogical investigations. Singapore: Springer.
Rose, N. (1999). Powers of freedom. Cambridge: Cambridge University Press.
Smeyers, P., and Burbules, N. (2006). Education as initiation into practices. Educational Theory, 56, 439–449.
Van den Berge, L. (2017). How scientific frameworks ‘frame parents’: Wittgenstein on the import of changing language-games. In M. Peters and J. Stickney (Eds.), A companion to Wittgenstein on education: Pedagogical investigations (pp. 615–628). Singapore: Springer.
Wittgenstein, L. (1953) Philosophische Untersuchungen (Philosophical investigations) (G. E. M. Anscombe, trans.). Oxford: Basil Blackwell.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Hodgson, N., Ramaekers, S. (2019). Dogtooth: Initiating Children in Language and World. In: Philosophical Presentations of Raising Children. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-12540-0_4
Download citation
DOI: https://doi.org/10.1007/978-3-030-12540-0_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-12539-4
Online ISBN: 978-3-030-12540-0
eBook Packages: Social SciencesSocial Sciences (R0)