Abstract
This chapter will introduce to the readers the different individuals, practices, spaces, objects and conversations that make up this study, which is about constructing different contexts within which multiple experiences of a craft practice can be located. The chapter shall be reflective of the author’s methodology, and critical of the contexts that frame the relationship between the author and the subject of study, viz. the category of ‘craft’ and ‘craftsperson’. Outlining the different locations within which this study aims to construct the different experiences of the craft practice, this chapter will highlight as its objective an integral premise on which the discipline of anthropology is based, namely a privileged place for alterity.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Abu-Lugodh, Lila. 1986. Veiled Sentiments: Honor and Poetry in a Bedouin Society. Berkeley: University of California Press.
Adamson, Glenn. 2007. Craft and the Romance of the Studio. American Art 21 (1): 14–18.
Adamson, Glenn. 2013. The Invention of Craft. London: Bloomsbury.
Appadurai, Arjun. 1986. The Social Life of Things: Commodities in Cultural Perspective. New York: Cambridge University Press.
Baviskar, Amita. 2011. Cows, Cars and Cycle-rickshaws: Bourgeois Environmentalists and the Battle for Delhi’s Streets. In Elite and Everyman: The Cultural Politics of the Indian Middle Classes, ed. Amita Baviskar and Raka Ray. New Delhi: Routledge.
Bourdieu, Pierre. 1977. An Outline of a Theory of Practice, trans. Richard Nice. Cambridge: Cambridge University Press.
Breckenridge, Carol A. 1989. The Aesthetics and Politics of Colonial Collecting: India at World Fairs. Comparative Studies in Society and History 31 (2): 195–216.
Breckenridge, Carol (ed.). 1995. Consuming Modernity: Public Culture in a South Asian World. Minneapolis: University of Minnesota Press.
Bundgaard, Helle. 1999. Indian Artworlds in Contention: Local, Regional and National Discourses on Orissa Patta Paintings. New York: Routledge.
Butler, Judith. 2005. Giving an Account of Oneself. New York: Fordham University Press.
Castaneda, Quetzil E. 2004. Art-Writing in the Modern Maya Art World of Chichen Itza: Transcultural Ethnography and Experimental Fieldwork. American Ethnologist 31 (1): 21–42.
Chiarappa, Michael J. 1997. Affirmed Objects in Affirmed Places: History, Geographic Sentiment and a Region’s Crafts. Journal of Design History 10 (4): 399–415.
Clifford, James. 1988. Predicament of Culture: Twentieth-Century Ethnography. Literature and Art: Harvard University Press.
Clifford, James, and George E. Marcus. 1986. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press.
Cooper, Eugene. 1980. The Wood-Carvers of Hong Kong: Craft Production in the World Capitalist Periphery. Cambridge: Cambridge University Press.
Eyferth, Jacob. 2010. Craft Knowledge at the Interface of Written and Oral Cultures. East Asian Science and Technology Studies 4 (2): 185–205.
Fisher, Allyn Johnston. 1972. The All India Handicrafts Board and Handicrafts Development in India. Unpublished Ph.D. Dissertation, Indiana University.
Geertz, Clifford. 1983. Local Knowledge: Further Essays in Interpretive Anthropology. New York: Basic Books.
Grabner, Michelle. 2010. Introduction. In The Studio Reader: On the Space of Artists, ed. Mary Jane Jacob and Michelle Grabner. Chicago: University of Chicago Press.
Greenough, Paul. 1995. Nation, Economy, and Tradition Displayed: The Indian Crafts Museum, New Delhi. In Consuming Modernity: Public Culture in a South Asian World, ed. Breckenridge. Minneapolis: University of Minnesota Press.
Greenhalgh, Paul. 1997. The History of Craft. In The Culture of Craft: Status and Future, ed. Dormer. Manchester and New York: Manchester University Press.
Guha-Thakurta, Tapati. 2004. Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India. New York: Cambridge University Press.
Heidegger, Martin. 2002. Origin of the Work of Art. In Off the Beaten Track, ed. Julian Young and Kenneth Haynes. Cambridge: Cambridge University Press.
Heinemann, F.H. 1950. Origin and Repetition. The Review of Metaphysics 4 (2): 201–214.
Horner, Bruce. 2004. Critical Ethnography, Ethics, and Work: Re-articulating Labor. In Ethnography Unbound: From Theory Shock to Critical Praxis, ed. Stephen Gilbert Brown and Sidney Dobrin. New York: State University of New York.
Ingold, Tim. 2000. The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. London: Routledge.
Ingold, Tim. 2011. Being Alive: Essays on Movement, Knowledge and Description. London: Routledge.
Jackson, Michael. 2008. Between Biography and Ethnography. The Harvard Theological Review 101 (3/4, Centennial Issue): 377–397.
Jackson Jr., John L. 2012. Ethnography Is, Ethnography Ain’t. Cultural Anthropology 27 (3): 480–497.
Jain, Jyotindra (ed.). 1998. Picture Showmen: Insights into the Narrative Tradition in Indian Art. Mumbai: Marg Publication.
Jones, Caroline A. 2010. Post-Studio/Postmodern/Postmortem. In The Studio Reader: On the Space of Artists, ed. Jacob and Grabner. Chicago: University of Chicago Press.
Kornblum, William. 2004. Discovering Ink: A Mentor for an Historical Ethnography. Annals of the American Academy of Political and Social Sciences 595: 176–189.
Krishnaraj, Maithreyi. 1992. Women Craft Workers as Security for Family Subsistence. Economic and Political Weekly 27 (17): WS7–WS17.
Malik, Aditya. 2005. Nectar Gaze and Poison Breath: An Analysis and Translation of the Rajasthani Oral Narrative of Devnarayan. New York: Oxford University Press.
Mannheim, Bruce, and Tedlock, Dennis. 1995. Introduction. In The Dialogic Emergence of Culture, ed. Mannheim and Tedlock. Urbana: University of Illinois Press.
Marchand, Trevor. 2009. The Masons of Djenne. Bloomington: Indiana University Press.
Marcus, George E. 2007. Ethnography Two Decades After Writing Culture: From the Experimental to the Baroque. Anthropological Quarterly 80 (4): 1127–1145.
Mathur, Saloni. 2000. Living Ethnological Exhibits: The Case of 1886. Cultural Anthropology 15 (4): 492–524.
McGowan, Abigail. 2009. Crafting the Nation in Colonial India. New York: Palgrave Macmillan.
Mittal, Jagdish. 1998. Painted Scrolls of Deccani Picture Showmen: Seventeenth to Nineteenth Century. In Picture Showmen: Insights into the Narrative Tradition in Indian Art, ed. Jyotindra Jain. Mumbai: Marg Publication.
Mitter, Partha. 1994. Art and Nationalism in Colonial India, 1850–1922: Occidental Orientations. New York: Cambridge University Press.
Moeran, Brian. 1984. Lost Innocence: Folk Craft Potters of Onta. Japan: University of California Press.
Nash, June. 1993. Crafts in the Modern World: The Impact of Global Exchange on Middle American Artisans. Albany: State University of New York Press.
Olesen, Bodil Birkeboek. 2009. ‘Making Things Come Out’: Design, Originality and the Individual in a Bogolan Artisan Community. In Anthropology and the Individual: A Material Culture Perspective, ed. Miller. New York: Berg.
Prasad, Leela. 2007. Poetics of Conduct: Oral Narrative and Moral Being in a South Indian Town. New York: Columbia University Press.
Price, Richard. 2008. Travels with Tooy: History, Memory, and the African American Imagination. Chicago: Chicago University Press.
Ramanan, Sumana. 2014. Meet the Cultural Icons of Telangana, India’s Newest State. Scroll, June 2. Accessed from https://scroll.in/article/657002/meet-the-cultural-icons-of-telangana-indias-newest-state.
Ramanujan, A.K. 1989. Where Mirrors are Windows: Towards an Anthology of Reflections. History of Religions 28 (3): 187–216.
Roy, Tirthankar. 1999. Traditional Industry in the Economy of Colonial India. New York: Cambridge University Press.
Sahlins, Marshall. 2011. What Kinship Is (Part One). Journal of the Royal Anthropological Institute 17: 2–19.
Sennett, Richard. 2008. The Craftsman. New Haven: Yale University Press.
Stoller, Paul. 2016. Writing for the Future. In The Anthropologist as Writer: Genres and Contexts in the Twenty-First Century, ed. Helena Wulff. New York: Berghahan Books.
Thangavelu, Kirtana. 1998. The Painted Puranas of Telangana: A Study of a Scroll Painting Tradition in South India. Unpublished Ph.D. dissertation, University of California, Berkeley.
Thangavelu, Kirtana. 2012. Oral, Theatrical and Performative Dimensions of a Painted Scroll from Telengana. In Indian Paintings: The Lesser-Known Traditions, ed. Anna Dallapiccola. New Delhi: Niyogi Books.
Venkatesan, Soumhya. 2009. Craft Matters: Artisans, Development and the Indian Nation. New Delhi: Orient Blackswan.
Wardle, Huon, and Paloma Gay y Blasco. 2011. Ethnography and an Ethnography in Human Conversation. Anthropologica 53 (1): 117–127.
Wilkinson-Weber, Clare M. 1999. Embroidering Lives: Women’s Work and Skill in the Lucknow Embroidery Industry. Albany: State University of New York Press.
Wood, W. Warner. 2000. Flexible Production, Households, and Fieldwork: Multisited Zapotec Weavers in the Era of Late Capitalism. Ethnology 39 (2): 133–148.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Bose, C. (2019). Introduction. In: Perspectives on Work, Home, and Identity From Artisans in Telangana. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-12516-5_1
Download citation
DOI: https://doi.org/10.1007/978-3-030-12516-5_1
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-12515-8
Online ISBN: 978-3-030-12516-5
eBook Packages: Social SciencesSocial Sciences (R0)