Abstract
African cultural elements became deeply absorbed into the Art Deco Movement. The African impact on a widening artistic milieu was felt across the globe. Influences appear in the form of zigzags, masks, sunbursts and geometric shapes. Taking a cue from the eclecticism of the Art Deco Movement, a new genre emanating in the form of Deco Nouveau Afrique (DNA) ignites the energy of Africa into techno-organic arts, ecology and humanity. In the coastal city of Durban, South Africa, the Green Heart Movement seeks to foreground a ‘heart in eco-art’ experience that heightens cultural consciousness by weaving wind, wave, sun and fuel cell technologies in support of the expanding clean-green philosophy. The DNA aesthetic blends African indigenous knowledge systems into creative activations that offer the world an alternative direction in human achievement and social cohesion. The aim is to engage the multicultural citizens in the branding of Durban as ‘Green Heart City’ with a view to positioning the city at the forefront of the green economy. At the heart of the initiative is the placemaking potential of the eco-city to inspire citizens to collectively reimagine and reinvent public spaces. A key element in the City Identity Project is the BunnyKat puppet doll made by indigenous crafters in a peri-urban valley on the outskirts of the city. The BunnyKats are ‘social heroes’ and act as cultural signifiers of Green Heart City. The puppet dolls have South African flags and green hearts on their hand-crocheted jerseys. BunnyKat costuming is green-themed blended with brightly coloured attire. The BunnyKats have a diversified appeal that enables them to leap across boundaries of geography, ethnicity and age. The BunnyKat motto is: ‘Read Write Draw … X-plaw!’ emphasising the values of learning, curiosity and artistic responsiveness. Central to the DNA aesthetic is ‘Africa Rising’ and the promise of the Great Continent awakening to a bright and bustling future. Inclusive processes that unify people, environment and landscape are harnessed at the crossroads of eco-arts, industry, design and the African spirit of Ubuntu. The entrepreneurial fervour of DNA extends into ‘unplugged’ board games set in Green Heart City Durban intended to focus on urban settings while fostering linkages with rural villages in the mechanics of the Maker Movement and tabletop gaming.
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- 1.
‘[Culture] is that complex whole which includes knowledge, beliefs, arts, morals, laws, customs and any other capabilities and habits acquired by [a human] as a member of society’. See UNESCO. ‘Learning to live together: Cultural diversity’, Viewed 15 July 2017, http://www.unesco.org/new/en/social-and-human-sciences/themes/international-migration/glossary/cultural-diversity/.
- 2.
‘During the middle of the nineteenth century, Africa was referred to as the ‘Dark Continent’, because little was known about the mysterious land itself. The term ‘Dark Continent’ was most likely used for the first time by the USA explorer and journalist Henry Stanley’. See IAC Publishing. ‘Q: Why was Africa referred to as the “Dark Continent”?’, Viewed 10 August 2017, https://www.reference.com/geography/africa-referred-dark-continent-39aa8499dafe9e5a#.
- 3.
‘An Nguni word, which has no direct translation into English, but is used to describe a particular African worldview in which people can only find fulfilment through interacting with other people. [Ubuntu] … represents a spirit of kinship across both race and creed which united mankind to a common purpose.’ See Petra Mason. ‘We are all Africans’ last modified 18 June 2010, Viewed 3 August 2017, http://www.mahala.co.za/culture/we-are-all-african/.
- 4.
Refer to a trend where companies offer consumers ‘options for customising their mass-produced purchases in an attempt to help consumers feel that they are being served as individuals’. See Amy Shaw. ‘Consumer culture: “Mass-Produced Individuality”’ last modified 11 December 2005, Viewed 9 May 2017, http://greenjeansbrooklyn.blogspot.com/2005/12/consumer-culture-mass-produced.html.
- 5.
‘The umbrella term for independent inventors, designers and tinkerers’. See Joan Voight. ‘Which big brands are courting the Maker Movement, and why: From Levi’s to Home Depot’ last modified 17 March 2014, Viewed 12 July 2017, http://www.adweek.com/brand-marketing/which-big-brands-are-courting-maker-movement-and-why-156315/.
‘According to Brit Morin of Brit & Co, the Maker Movement is “an evolution of millions of people who are taking big risks to start their own small businesses dedicated to creating and selling self-made products …”’ See Berit Thorkelson. ‘What exactly is an entrepreneur?’, Viewed 12 July 2017, http://www.bhg.com/better-homes-and-garden-magazine/entrepreneur/what-is-an-entrepreneur/.
- 6.
‘It is characterized by a range of new technologies that are fusing the physical, digital and biological worlds, impacting all disciplines, economies and industries, and even challenging ideas about what it means to be human … [Examples include:] Ubiquitous, mobile supercomputing. Intelligent robots. Self-driving cars. Neuro-technological brain enhancements. Genetic editing.’ See Klaus Schwab. ‘The Fourth Industrial Revolution, by Klaus Schwab’, Viewed 11 July 2017, https://www.weforum.org/about/the-fourth-industrial-revolution-by-klaus-schwab.
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Acknowledgements
Woza Moya, project partner of Green Heart City
eThekwini Municipality, Durban
KwaMuhle Museum, Durban Local History Museums
South African National Historical Society
Durban Central Tourism Organisation
Africa’s Travel Indaba
Sustainable Living Exhibition
South African Writers’ Circle
Writers’ Guild of South Africa
Alliance Française de Durban
Open Data Durban civic technology laboratory
Local coffee shops and bakeries—Green Heart City Biscuit.
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Peppas, M., Ebrahim, S. (2019). Cultural Ecology, City Tourism, Future Scenarios: A Great City in the Making. In: Stankov, U., Boemi, SN., Attia, S., Kostopoulou, S., Mohareb, N. (eds) Cultural Sustainable Tourism. Advances in Science, Technology & Innovation. Springer, Cham. https://doi.org/10.1007/978-3-030-10804-5_15
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