This concluding chapter reiterates how the horseracing film, as both a material and cultural entity, works ideologically to explore local, national and global levels of British experience. It emphasises that, because of its indigenous social ubiquity and its symbiotic relationship with the film medium, British horseracing is shown to serve as an accessible institutional structure through which to explore cinematic discussions about the nation—and, equally, national approaches to its cinema.
KeywordsGenre Ideology British cinema British society
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