Abstract
In this chapter, with reference to three case study examples from the StoryLab International Film Development Research Network workshops, we will summarise the key aspects of Finding the Personal Voice in Filmmaking and identify some of the most important hurdles to overcome for the practical filmmaker.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsNotes
- 1.
When using the term imagery, I very much have in mind both images and sounds. Sounds often provide deep and powerful associations that are very often underused in filmmaking.
- 2.
See Booker 2004: 51.
- 3.
See my own works exploring my spiritual and creative doubts in my book and film, Doubt (Knudsen 2017).
- 4.
See my article on this, “Fear eats the soul” (Knudsen 2000).
Bibliography and Filmography
Booker, C. (2004). The Seven Basic Plots: Why We Tell Stories. London: Bloomsbury.
Bresson, R. (1977). Notes on Cinematography. New York: Urizen Books.
Doubt. (2017). Wr/Dir: E Knudsen, UK, 25 min.
Knudsen, E. (2000). Fear Eats the Soul: Working with Creative Content and Purpose in Media Practice Education (pp. 165–171). London: Taylor and Francis.
Knudsen, E. (2017). Doubt. Todmorden: One Day Films.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Knudsen, E. (2018). Transformations. In: Finding the Personal Voice in Filmmaking. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-00377-7_5
Download citation
DOI: https://doi.org/10.1007/978-3-030-00377-7_5
Published:
Publisher Name: Palgrave Pivot, Cham
Print ISBN: 978-3-030-00376-0
Online ISBN: 978-3-030-00377-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)