Abstract
The computer, while not a new concept, has in its modern form transformed the way we disseminate ideas, interact with one another and enhanced our capacity to acquire information. From the artist’s perspective digital imaging presents opportunities for visual invention and challenges in how visual form is mediated. In my artwork I use the computer as a means to create imagery that would not be possible without its use, and that enables exploration of an artificially created space that enhances spatial awareness and challenges our perception of what we encounter. The computer enables the use of real time and recorded moving and still images to be embedded within artwork previously limited to still imagery and makes possible the fragmentation and reconstruction of the picture plane into multiple moving images with a remarkably high degree of resolution.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsReferences
Cohen, N. 2003 ‘Illuminating Thought: Imaging Reality’ http://www.nathancohen.co.uk/Nathan_Cohen_Web/writing/Nathan_Cohen/pages/page1.htm
Henderson, L.D 2013 ‘The Fourth Dimension and Non-Euclidean Geometry in Modern Art’ Leonardo Book Series
Kemp, M. 1990 ‘The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat’ Yale University Press
Purves, D. and Beau Lotto, R. 2003 ‘Why We See What We Do’ Sinauer Associates Inc.
Steadman, P. 2001 ‘Vermeer’s Camera’ Oxford University Press
Tachi, S. 2010 ‘Telexistence’ World Scientific Publishing Company
Zeki, S. 1999 ‘Inner Vision’ Oxford University Press
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2014 Springer Science+Business Media New York
About this chapter
Cite this chapter
Cohen, N. (2014). Video Ergo Sum: An Artist’s Thoughts On Inventing With Computer Technology In The Creation Of Artworks. In: Lee, N. (eds) Digital Da Vinci. Springer, New York, NY. https://doi.org/10.1007/978-1-4939-0965-0_5
Download citation
DOI: https://doi.org/10.1007/978-1-4939-0965-0_5
Published:
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4939-0964-3
Online ISBN: 978-1-4939-0965-0
eBook Packages: Computer ScienceComputer Science (R0)