Abstract
This chapter tackles the problem of the relationship of architecture and visual culture to “unstable” cultural meanings by providing an analysis of a designed urban form—the Spanish American plaza. The examination of the public space as art and commodity provides a glimpse of the contradictions between the artistic and often idealized representational purposes of the urban plaza and its political and economic base. Bringing these contradictions to light helps to demystify visual culture and highlights the ways in which architecture and urban design are deeply ideological both in artistic style and political purpose.
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© 1997 Springer Science+Business Media New York
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Low, S.M. (1997). Public Space as Art and Commodity. In: Wapner, S., Demick, J., Yamamoto, T., Takahashi, T. (eds) Handbook of Japan-United States Environment-Behavior Research. Springer, Boston, MA. https://doi.org/10.1007/978-1-4899-0286-3_21
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DOI: https://doi.org/10.1007/978-1-4899-0286-3_21
Publisher Name: Springer, Boston, MA
Print ISBN: 978-1-4899-0288-7
Online ISBN: 978-1-4899-0286-3
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