Abstract
This chapter will discuss the musical and technical factors involved in producing classical recordings for commercial release. It will be concerned with selecting the recording venue, planning the sessions, placing the microphones in order to produce a desired recording perspective, and planning logistical details of equipment and staffing.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Bibliography
J. Backus, The Acoustical Foundations of Music, Norton, New York (1969).
A. Benade, Fundamentals of Musical Acoustics, Oxford University Press, New York (1976).
A. Benade, “From Instrument to Ear in a Room: Direct or Via Recording,” J. Audio Engineering Society, vol. 33, no. 4 (1985).
L. Beranek, Music, Acoustics & Architecture, Wiley, New York (1962).
J. Borwick, Sound Recording Practice, Oxford University Press, New York (1987).
R. Caplain, Techniques de Prise de Son, Editions Techniques et Scientifiques Francaises, Paris (1980) (in French).
C. Ceoen, “Comparative Stereophonic Listening Tests,” J. Audio Engineering Society, vol. 20, no. 1 (1970).
J. Culshaw, Ring Resounding, Viking Press, New York (1957).
J. Culshaw, Putting the Record Straight, Viking Press, New York (1981).
N. DelMar, Anatomy of the Orchestra, University of California Press, Los Angeles (1983).
M. Dickreiter, Tonmeister Technology, Temmer Enterprises, New York (1989).
J. Eargle, The Microphone Handbook, Elar, Commack, N.Y. (1982).
J. Eargle, Music, Sound, & Technology, Van Nostrand Reinhold, New York (1990).
F. Gaisberg, The Music Goes Round, Macmillan, New York (1942).
R. Gelatt, The Fabulous Phonograph, Lippincott, New York (1955).
J. Jecklin, “A Different Way to Record Classical Music,” J. Audio Engineering Society, vol. 29, no. 5 (1981).
S. Lipschitz, “Stereo Microphone Techniques: Are the Purists Wrong?” J. Audio Engineering Society, vol. 34, no. 9 (1986).
J. Meyer, Acoustics and the Performance of Music, Verlag Das Musikinstrument, Frankfurt (1978). Translated by Bowsher and Westphal.
C. O’Connell, The Other Side of the Record, Knopf, New York (1941).
H. Olson, Musical Engineering, McGraw-Hill, New York (1952).
J. Pierce, The Science of Musical Sound, Scientific American Books, New York (1983).
A. Previn, André Previn’s Guide to the Orchestra, Macmillan, London (1983).
O. Read and W. Welch, From Tinfoil to Stereo, H. Sams, Indianapolis (1959).
E. Schwarzkopf, On and Off the Record: A Memoire of Walter Legge, Scribners, New York (1982).
D. Woolford, “Sound Pressure Levels in Symphony Orchestras and Hearing,” presented a the 1984 Australian Regional Convention, Audio Engineering Society, 25–27 September 1984, preprint number 2104.
The Phonograph and Sound Recording After One Hundred Years (Audio Engineering Society, New York) J. Audio Engineering Society, vol. 25, no. 10/11 (1977).
Stereophonic Techniques, an anthology published by the Audio Engineering Society (1986).
Rights and permissions
Copyright information
© 1992 Springer Science+Business Media New York
About this chapter
Cite this chapter
Eargle, J. (1992). Classical Recording and Production. In: Handbook of Recording Engineering. Springer, Boston, MA. https://doi.org/10.1007/978-1-4757-1129-5_22
Download citation
DOI: https://doi.org/10.1007/978-1-4757-1129-5_22
Publisher Name: Springer, Boston, MA
Print ISBN: 978-1-4757-1131-8
Online ISBN: 978-1-4757-1129-5
eBook Packages: Springer Book Archive