Abstract
In the preceding two chapters the two principal tonal attributes pitch and loudness have been analyzed, mainly on the basis of pure, single-frequency tones. These are not, however, the tones that play an active role in music. Music is made up of complex tones, each one of which consists of a superposition of pure tones blended together in a certain relationship so as to appear to our ear as unanalyzed wholes. A third fundamental tonal attribute thus emerges: tone quality, or timbre, related to the kind of mixture of pure sounds, or harmonic components, in a complex tone (Section 1.2).
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© 1975 Springer-Verlag New York Inc.
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Roederer, J.G. (1975). Generation of Musical Sounds, Complex Tones, and the Perception of Timbre. In: Introduction to the Physics and Psychophysics of Music. Heidelberg Science Library. Springer, New York, NY. https://doi.org/10.1007/978-1-4615-9981-4_4
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DOI: https://doi.org/10.1007/978-1-4615-9981-4_4
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4615-9983-8
Online ISBN: 978-1-4615-9981-4
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