Abstract
This paper looks at programming from the perspective of who controls it, who buys it, what it all means, and how Digital TV may be a catalyst for its change. It shows how interactive television may neutralize the coercive effects of traditional programming and empower a generation to rethink its relationship to the mediaspace and itself
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 1999 Springer Science+Business Media New York
About this chapter
Cite this chapter
Rushkoff, D. (1999). The End of the Story. In: Gerbarg, D. (eds) The Economics, Technology and Content of Digital TV. Economics of Science, Technology and Innovation, vol 15. Springer, Boston, MA. https://doi.org/10.1007/978-1-4615-4971-0_7
Download citation
DOI: https://doi.org/10.1007/978-1-4615-4971-0_7
Publisher Name: Springer, Boston, MA
Print ISBN: 978-1-4613-7256-1
Online ISBN: 978-1-4615-4971-0
eBook Packages: Springer Book Archive