Abstract
In this essay I wish to draw attention to the structure and conflicts in Sophocles’s Theban plays.2While each of the three plays can be considered independently and were probably written at different times, it is worthwhile examining them together. They form a continuity and a broader and more connected context, which when supplemented with relevant information about Greek history and law, reveal their structural bases in ritual and mythical tricksters. The rituals and tricksters provided the dramatist with the means for illustrating political conflicts and reversals, as well as laws of the ancient family that resulted in insolvable and unnatural dilemmas. For example the famous case of mistaken identity in the play “Oedipus Rex” resulted in patricide and incest. Furthermore, by punishing his mythical personages, Sophocles was also able to confirm traditional values.
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Notes
Sophocles, The Complete Plays of Sophocles, English trans, by Sir Richard Clevenhouse Jebb, 1978, New York: Bantam Books, Inc.
Anthony Andrewes, 1978, The Greeks, New York: W.W. Norton & Company, Inc.
Thucydides, The Peloponnesian War, English trans, by Benjamin Jowett, 1960, New York: Bantam Books, Inc., IV 96–103.
The Complete Plays of Sophocles, p. 141.
Max Gluckman, 1965, Politics, Law And Ritual In Tribal Society, Chicago: Aldine Publishing Company, Chapter VI.
Plato, Plato, Socratic Dialogues, English trans, by W.D. Woodhead, (ed.), 1953, Edinburgh: Nelson.
Lewis Richard Farnell, 1971, Cults Of the Greek States, Chicago: Aegaean Press, Vol. 5.
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© 1988 Plenum Press, New York
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Knaack, J.A. (1988). The Problem of Mother’s Brother in “Oedipus”. In: Kevelson, R. (eds) Law and Semiotics. Springer, Boston, MA. https://doi.org/10.1007/978-1-4613-0771-6_12
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DOI: https://doi.org/10.1007/978-1-4613-0771-6_12
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