Abstract
Using the development of the performance Self-portrait of an absence (2016) as case study the article discusses relevant issues that ground her own media art practice and its cross-disciplinary aspect. The article is structured in two parts: the first depicts and analyses the creative process of the performance and the second unfolds some of the relevant discoveries from the experiment in relation to media art aesthetics in its hybrid quality.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Barad K (2003) Posthumanist performativity: toward an understanding of how matter comes to matter. J Women Culture Soc 28(3):801–831
Bennett J (2010) Vibrant matter: a political ecology of things. Duke University Press, Durham/London
Crary J (1990) Techniques of the observer: on vision and modernity in the nineteenth century. MIT Press, Cambridge
Flusser V (2008) Universo das imagens técnicas: elogio da superficialidade. Annablume, São Paulo
Foucault M (1977) A preface to transgression. In: Bouchard DF (ed and trans) Language, counter-memory, practice: selected essays and interviews. Cornell University Press, Ithaca, New York
Guldin R (2010) Pensar entre lÃnguas—a teoria da tradução de Vilém Flusser. Annablume, São Paulo
Gumbrecht HU (2004) Production of presence: what meaning cannot convey. Stanford University Press, Stanford, CA
Harbisson N (2012) I listen to color. In: Lecture at TED Conference. Available at: https://www.ted.com/talks/neil_harbisson_i_listen_to_color. Accessed 1 Aug 2017
Harrasser K (2013) Körper 2.0: Über die technische Erweiterbarkeit des Menschen. Transcript Verlag, Bielefeld
Klassen J (2005) Rodrigues, Dan. An eye for Annai. Animation video (2005—oldest online publication found). Available at: https://www.youtube.com/watch?v=KX27V46eAYM. Accessed 31 July 2017
Latour B (1996) On actor-network theory: a few clarifications. Soz Welt 47(4):369–381
Lautenschlaeger G (2016) Entre sensores e sentidos: sobre a materialidade da comunicação na ArtemÃdia. In: Menotti G, Bastos M, Moran P (Org) Cinema Apesar da Imagem. Intermeios, São Paulo
Merleau-Ponty M (1994) Fenomenologia da percepção. Martins Fontes, São Paulo
Schäffner W (2015) Materialität und operationen I: Active Matter. Lecture at the Ringvorlesungen at Humboldt Universität zu Berlin. 28 Jan 2015
Stiegler B (1998) Technics and time (trans: Beardsworth R, Collins G). Stanford UP, Stanford
Vijayarajan V, Rajeshkannan R, Rajkumar Dhinakaran RN (2016) Automatidetection of moving objects using Kalman algorithm. Int J Pharm Technol IJPT 8(3). Available at: http://www.ijptonline.com/wp-content/uploads/2016/10/18963-18970.pdf. Accessed 26 July 2017
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer-Verlag London Ltd., part of Springer Nature
About this chapter
Cite this chapter
Lautenschlaeger, G. (2018). Self-portraying an Absence. In: Explorations in Art and Technology. Springer Series on Cultural Computing. Springer, London. https://doi.org/10.1007/978-1-4471-7367-0_28
Download citation
DOI: https://doi.org/10.1007/978-1-4471-7367-0_28
Published:
Publisher Name: Springer, London
Print ISBN: 978-1-4471-7366-3
Online ISBN: 978-1-4471-7367-0
eBook Packages: Computer ScienceComputer Science (R0)