Skip to main content

Art, Creativity, and Culture: How Art Intersects with Science in the Expression of Artistic Creativity

  • Chapter
  • First Online:
Creativity and Innovation Among Science and Art
  • 2048 Accesses

Abstract

Almost a half century ago, Snow (The two cultures and the scientific revolution. Cambridge University Press, New York, 1959) identified a problem that still needs discussion. Snow felt that he was living in two distinct separate cultures that ceased to communicate among each other. The two cultures would use distinct terminology and have a lack of understanding of each other. Snow felt that although these cultures were discrete, yet he felt commonalities between the two. One commonality was that he was a part of both cultures. Previous studies (Charyton in Creativity (Scientific, artistic, general) and risk tolerance among engineering and music students, Temple University, 2005, Charyton in Creativity (scientific, artistic, and general) and risk tolerance among engineering and music students. VDM Verlag Publishing, Germany, 2008; Charyton and Snelbecker in Creativity Res 19:213–225, 2007a, Charyton and Snelbecker in Psychol Aesthetics Creativity Arts 1:91–99, 2007b) addressed specific domains of creativity in both science and art as well as the intersection of both science and art. Discussion about personality characteristics of scientists and artists are discussed along with case studies. Case studies are discussed for the cultural intersections of the East (Asia) and West (Europe) with science and art. The Ukrainian culture is also discussed as a culture unifying the East and the West as a bridge where eminent Ukrainian persons may more often excel in more than one discipline as polymaths. Recent political concerns in Ukraine are described in relation to creativity, innovation, and culture as well as exceptionality in both the sciences and the arts as polymaths as an occurring aspect of the Ukrainian culture.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Allen, J. E., & Self, A. (2008). Analysis of the integration of knowledge and novelty in creative engineering design. In Proceedings of the Institution of Mechanical Engineers, Part G (Journal of Aerospace Engineering), 222(G1), 127–67. doi:10.1243/09544100JAERO237.

  • Amable, T. M. (1994). The “atmosphere of pure work”: Creativity in research and development. In W. R. Shadish & S. Fuller (Eds.), The social psychology of science. New York, NY: The Guilford Press.

    Google Scholar 

  • Andrukhovych, Y. (2013). Defending a free and just society with our own blood: An open letter from Ukraine. Ukrainian Quarterly, LXIX, 1–4, 13–30.

    Google Scholar 

  • Archipenko, A. (1960). Archipenko: Fifty creative years 1908–1958. New York, N.Y.: TEKHNE.

    Google Scholar 

  • Archipenko, A. (1969). Polychrome manifesto. In D. H. Karshan (Ed.), Archipenko: International visionary. Washington, DC: Smithsonian Institution Press.

    Google Scholar 

  • Archipenko, A., Marter, J. M., & Capasso, N. J. (1985). Archipenko: Drawings, reliefs, and constructions. Annandale-on-Hudson, NY: Bard College, Edith C. Blum Art Institute.

    Google Scholar 

  • Archipenko, A., & UCLA Art Galleries. (1967). Alexander Archipenko. Los Angeles, CA: W. Ritchie Press.

    Google Scholar 

  • Barron, F. (1972). Artists in the Making. New York: Seminar Press.

    Google Scholar 

  • Barron, F. (1995). No rootless flower. Cresskill, NJ: Hampton Press.

    Google Scholar 

  • Bergoglio, J. M., & Skorka, A. (2013). On heaven and earth: Pope Francis on faith, family and the church in the twenty-first century. New York, NY: Image.

    Google Scholar 

  • Bihun, Y. (2014, September 28). Poroshenko meets Obama, gets assurances of security assistance, but no lethal weapons. The Ukrainian Weekly, pp. 1, 11.

    Google Scholar 

  • Bilinsky, Y. (2013). Two monuments in Washington: The politics behind the Shevchenko and Holodomor monuments. Ukrainian Quarterly, LXIX, 1–4, 31–46.

    Google Scholar 

  • Booker, B. B., Fearn, M., & Francis, L. J. (2001). The personality profile of artists. The Irish Journal of Psychology, 22, 277–281.

    Google Scholar 

  • Charyton, C. (2005). Creativity (Scientific, artistic, general) and risk tolerance among engineering and music students (Doctoral Dissertation, Temple University, 2004).

    Google Scholar 

  • Charyton, C. (2008). Creativity (scientific, artistic, general) and risk tolerance among engineering and music students. Saarbrücken, Germany: VDM Verlag Publishing.

    Google Scholar 

  • Charyton, C. (2013). Creative engineering design assessment (CEDA): Background, directions, manual, scoring guide and uses. London, United Kingdom: Springer-Verlag.

    Google Scholar 

  • Charyton, C. (2014a). The impact of improvisation on creativity: A fractal approach. In C. Charyton (Ed.), A discussion of the two cultures: Creativity and innovation among science and art. London, United Kingdom: Springer.

    Google Scholar 

  • Charyton, C. (2014b). Creative engineering design: The meaning of creativity and innovation in engineering. In C. Charyton (Ed.), A discussion of the two cultures: Creativity and innovation among science and art. London, United Kingdom: Springer.

    Google Scholar 

  • Charyton, C., Basham, K., & Elliott, J. (2008). Examining gender with general creativity and preferences for creative persons in college students within the sciences and the arts. Journal of Creative Behavior, 42(3), 216–222.

    Article  Google Scholar 

  • Charyton, C., DeDios, S. L. & Nygren, T. E. (2014). Scientific productivity and idea acceptance in Nobel laureates. The Journal of Creative Behavior. doi:10.1002/jocb.63.

  • Charyton, C., DeDios, S. L. & Nygren, T. E. (2015). Scientific productivity and idea acceptance in Nobel laureates. The Journal of Creative Behavior, 49(3).

    Google Scholar 

  • Charyton, C., Holden, J. G., Jagacinski, R. J., & Elliott, J. O. (2012). A historical and fractal perspective on the life and saxophone solos of John Coltrane. Jazz Perspectives, 6(3), 311–335. doi:10.1080/17494060.2013.806031.

    Article  Google Scholar 

  • Charyton, C., Ivcevic, Z., Plucker, J. A., & Kaufman, J. C. (2009). Creativity assessment for evaluating the effectiveness of educational programs. In C. Schreiner (Ed.), Handbook of research on assessment technologies, methods and applications in higher education (pp. 78–96). Hershey, PA: IGI Global.

    Chapter  Google Scholar 

  • Charyton, C., & Snelbecker, G. E. (2007a). General, artistic and scientific creativity attributes of engineering and music students. Creativity Research Journal, 19(2–3), 213–225.

    Article  Google Scholar 

  • Charyton, C., & Snelbecker, G. E. (2007b). Engineers’ and Musicians’ Choices of Self-descriptive adjectives as potential indicators of creativity by gender and domain. Psychology of Aesthetics and Creativity in the Arts, 1(2), 91–99.

    Article  Google Scholar 

  • Chung-Yuan, C. (1963). Creativity and Taoism: A Study of Chinese Philosophy, Art and Poetry. New York, NY: 19–53.

    Google Scholar 

  • Ciuk, K. (Ed.). (2008). Mysteries of ancient ukraine: The remarkable Trypillian Culture 5400–2700 BC, Royal Ontario Museum, 2008. Ontario, CA: Royal Ontario Museum Press.

    Google Scholar 

  • Corley, C. (2010). Creative expression and resilience among Holocaust survivors. Journal of Human Behavior in the Social Environment, 20(4), 542–552.

    Article  Google Scholar 

  • Csikszentmihalyi, M. (1988). Society, culture and person: A systems view of creativity. In R. J. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives. Cambridge: Cambridge University Press.

    Google Scholar 

  • Csikszentmihalyi, M. (1998). Creativity and genius: A systems perspective. In A. Steptoe (Ed.), Genius and the mind: Studies of creativity and temperament (pp. 39–66). USA: Oxford University Press.

    Google Scholar 

  • Dollinger, S. J., Urban, K. K., & James, T. A. (2004). Creativity and openness: Further validation of two creative product measures. Creativity Research Journal, 16(1), 35–47.

    Article  Google Scholar 

  • Farley, F. (1991). The type-T personality. In L. P. Lipsitt & L. L. Mitnick (Eds.), Self-regulatory behavior and risk taking: causes and consequences. Norwood, NJ: Ablex Publishing Corporation.

    Google Scholar 

  • Feist, G. J. (1998). A meta-analysis of personality in scientific and artistic creativity. Personality and Social Psychology Review, 2, 290–309.

    Article  Google Scholar 

  • Feist, G. J. (1999). The influence of personality on artistic and scientific creativity. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge, UK: Cambridge University Press.

    Google Scholar 

  • Feist, G. J. (2010). The function of personality in creativity: The nature and nurture of creative personality. In J. C. Kaufman & R. J. Sternberg (Eds.), Cambridge Handbook of Creativity (pp. 113–130). New York, NY: Cambridge University Press.

    Chapter  Google Scholar 

  • Feist, G. J. (2013). The scientific personality. In G. J. Feist & M. E. Gorman (Eds.), Handbook of the psychology of science (pp. 95–122). New York: Springer Publishing.

    Google Scholar 

  • Feist, G. J., & Barron, F. X. (2003). Predicting creativity from early to late adulthood: Intellect, potential and personality. Journal of Research in Personality, 37, 62–88.

    Article  Google Scholar 

  • Franko, I., & Rich, V. (1973). Moses and other poems. New York, NY: Shevchenko Scientific Society.

    Google Scholar 

  • Fund for Research on Ancient Civilizations. (2010). Ancient Trypillia: Seven thousand years of spiritual art. New York, NY: Ukrainian Institute of America.

    Google Scholar 

  • Gardner, H. (1999). Intelligence reframed: Multiple intelligence for the 21st century. New York, NY: Basic Books.

    Google Scholar 

  • Getzels, J. W., & Csikszentmihalyi, M. (1976). The creative vision: A longitudinal study of problem finding in art. New York: Wiley.

    Google Scholar 

  • Gridley, M. C. (2006). Preferred thinking styles of professional fine artists. Creativity Research Journal, 18(2), 247–248.

    Article  Google Scholar 

  • Grosul, M., & Feist, G. J. (2014). The creative person in science. Psychology of Aesthetics, Creativity, and the Arts, 8(1), 30.

    Article  Google Scholar 

  • Guastello, S. (2009). Creativity and personality. In M. A. Runco & S. Moger (Eds.), The Routledge companion to creativity (pp. 267-278). New York, NY: Routledge/Taylor & Francis Group.

    Google Scholar 

  • Hammond, J., & Edelmann, R. J. (1991). The act of being: Personality characteristics of professional actors, amateur actors and non-actors. In G. Wilson (Ed.), Psychology and performing arts (pp. 123–131). Amsterdam: Swets & Zeitlinger.

    Google Scholar 

  • Helson, R., Roberts, B., & Agronick, G. (1995). Enduringness and change in creative personality and prediction of occupational creativity. Journal of Personality and Social Psychology, 69, 1173–1183.

    Article  Google Scholar 

  • Hrushevsky, M. (1941). A History of Ukraine. New Haven, CT: Yale University Press.

    Google Scholar 

  • Ievshevan, M. (1980). Shevchenko as a poet. In G. S. N. Luckyj, D. Ferguson, S. Yurkevich & Canadian Institute of Ukrainian Studies (Eds.), Shevchenko and the critics, 1861–1980. London: Toronto; Buffalo; London: Published in association with the Canadian Institute of Ukrainian Studies by University of Toronto Press.

    Google Scholar 

  • Ivcevic, Z., & Mayer, J. D. (2007). Creative types and personality. Imagination, cognition and personality, 26(1), 65–86.

    Article  Google Scholar 

  • Janssen, S. (Ed.). (2014). The world almanac and books of facts. New York: World Almanac Books.

    Google Scholar 

  • Kardash, P. (2007). Genocide in Ukraine. Melbourne, Kyiv: Fortuna.

    Google Scholar 

  • Khvylovy, M. (1986). The cultural renaissance in Ukraine. Edmonton, Canada: Canadian Institute of Ukrainian Studies.

    Google Scholar 

  • Kinney, D. K. (2000). Nurturing creative genius to solve the problems that human survival: Psychology’s greatest challenge. PsycCritiques, 45(4), 414–416. doi:10.1037/002253.

    Article  Google Scholar 

  • Kirilyuk, Y. (1964). The bard of Ukraine. In T. Shevchenko (Ed.), Selected works; poetry and prose. Moscow: Progress Publishers.

    Google Scholar 

  • Kozbelt, A., Beghetto, R. A., Runco, M. A. (2010). Theories of creativity. In J. C. Kaufman & R. J. Sternberg (Eds.), The Cambridge handbook of creativity (pp. 20–47). New York NY, US: Cambridge University Press.

    Google Scholar 

  • Krauthammer,C. (2014, September 7). Obama seems to have written off Ukraine (p. F9). Columbus: Columbus Dispatch.

    Google Scholar 

  • Kreinheder, A. (1973). Art in jungian analysis. Psychological Perspectives, 4, 69–79.

    Google Scholar 

  • Kubijovyc, V. (1963). Ukraine: A concise encyclopedia (Vol. 1). Toronto, Canada: University of Toronto Press.

    Google Scholar 

  • Kubijovyc, V. (1984). Encyclopedia of Ukraine. New York, NY: Shevchenko Scientific Society.

    Google Scholar 

  • Kuo, Y. (1996). Taoist psychology of creativity. Journal of Creative Behavior, 30, 197–212.

    Article  Google Scholar 

  • Martindale, C. (1997). Innovation, illegitimacy and individualism. In M.A. Runco & R. Richards (Eds.). Eminent creativity, everyday creativity, and health. Greenwood Publishing Group (pp. 403–410).

    Google Scholar 

  • May, R. (1975). The courage to create. New York: W.W. Norton & Company.

    Google Scholar 

  • Michaelsen, K. J., Guralnik, N., Archipenko, A. & National Gallery of Art (U.S.)/Muzeʼon Tel Aviv. (1986). Alexander Archipenko, a centennial tribute. Washington, D.C.; Tel Aviv; New York, N.Y.; Board of Trustees: National Gallery of Art; Tel Aviv Museum: Distributed to the trade by Universe Books.

    Google Scholar 

  • Niu, W., & Sternberg, R. J. (2001). Cultural influences on artistic creativity and its evaluation. International Journal of Psychology, 36, 225–241.

    Article  Google Scholar 

  • Ponomarenko, M. (2013). Ethnic side of happiness. Lexington, KY: Nicholas Ponomarenko.

    Google Scholar 

  • Poroshenko, P. (2014, September 18). Petro Poroshenko address to Congress Full Speech retrieved from https://www.youtube.com/watch?v=zS9w0pAhtQI.

  • Press Office of the President (2014, September 28). Poroshenko in United States Congress. The Ukrainian Weekly, pp. 5, 14, 18.

    Google Scholar 

  • Pyrih, R. (Trans: Stephen Bandera) (2008). Holodomor of 1932–33 in Ukraine documents and materials. Kyiv: Kyiv Mohyla Academy Publishing House.

    Google Scholar 

  • Robinson, A. (2010). Sudden genius?: The gradual path to creative breakthroughs. New York: Oxford University Press.

    Google Scholar 

  • Root-Bernstein, R. S. (2003). The art of innovation: Polymaths and the universality of the creative process. International handbook of innovation, 267–278.

    Google Scholar 

  • Root-Bernstein, R. & Root-Bernstein, M. (2004). Artistic scientists and scientific artists: The link between polymathy and creativity. In R. J. Sternberg, E. L. Grigorenko, J. L. Singer & l. Jerome (Eds.), Creativity: From potential to realization (pp. 127–151). Washington, DC, US: American Psychological Association.

    Google Scholar 

  • Rubchak, B. (1980). Introduction. In G. S. N. Luckyj, D. Ferguson, S. Yurkevich & Canadian Institute of Ukrainian Studies (Eds.), Shevchenko and the critics, 1861–1980. Toronto; Buffalo; London: Published in association with the Canadian Institute of Ukrainian Studies by University of Toronto Press.

    Google Scholar 

  • Runco, M. A. (1993). Creative morality: Intentional and unintentional. Creativity Research Journal, 6, 17–28.

    Article  Google Scholar 

  • Runco, M. A. (2007). Creativity: Theories and themes: Research, development and practice. Burlington, MA, San Diego, CA, London, UK: Elsevier.

    Google Scholar 

  • Runco, M. A., & Bahleda, M. D. (1986). Implicit theories of artistic, scientific and everyday creativity. The Journal of Creative Behavior, 20, 93–98.

    Article  Google Scholar 

  • Rusina, O. (2007). Trypillian threat (New York’s Ukrainian Museum, Kateryna Yushchenko, Viktor Yushchenko). ARTNEWS, 106(11), 138–143.

    Google Scholar 

  • Sansanwal, D. N., & Sharma, D. (1993). Scientific creativity as a function of intelligence, self-confidence, sex and standard. Indian Journal of Psychometry and Education, 24, 37–44.

    Google Scholar 

  • Shevchenko, T. (1964). Selected works; poetry and prose. Moscow: Progress Publishers.

    Google Scholar 

  • Shevchenko, T., & Stepovyk, D.V. (1984). Taras Shevchenko: Zhyvopys, hrafika: Aľbom=Taras Shevchenko=Tarass Chevtchenko. Kyïv: Mystetstvo.

    Google Scholar 

  • Simonton, D. K. (1997). Political pathology and societal creativity. In M. Runco & R. Richards (Eds.), Eminent creativity, everyday creativity, and health (pp. 359–378). Greenwich, CT: Ablex.

    Google Scholar 

  • Simonton, D. K. (1999). Creativity and genius, In L. A., Pervin & O. P. John, (Eds.), Handbook of personality: Theory and research. New York, NY: The Guilford Press.

    Google Scholar 

  • Simonton, D. K. (2003). Thar’s gold in them thar hills! Contemporary Psychology, 48, 174–176.

    Google Scholar 

  • Simonton, D. K. (2009). Varieties of (scientific) creativity: A hierarchical model of domain-specific disposition, development, and achievement. Perspectives on Psychological Science, 4(5), 441–452.

    Article  Google Scholar 

  • Simonton, D. K. (2013). Creative genius in science. In G. J. Feist & M. E. Gorman (Eds.), Handbook of the psychology of science (pp. 251–272). New York: Springer Publishing.

    Google Scholar 

  • Snow, C. P. (1959). The two cultures and the scientific revolution. New York: Cambridge University Press.

    Google Scholar 

  • Solzhenitsyn, A. I. (1974). The Gulag Archipelago, 1918–1956: An experiment in literary investigation [parts] III–IV (Trans. T. P. Whitney). New York: Harper & Row.

    Google Scholar 

  • Stent, G. S. (2001). Meaning in art and science. In K. H. Pfenninger & V. R. Shubik (Eds.), The origins of creativity (pp. 31–42). New York: Oxford University Press.

    Google Scholar 

  • Sternberg, R., & Lubart, T. (1996). Investing in creativity. American Psychologist, 51, 677–688.

    Article  Google Scholar 

  • Subtelny, O. (1988). Ukraine: A history. Toronto, Canada: Canadian Institute of Ukrainian Studies.

    Google Scholar 

  • Sulloway, F. J. (2009). Sources of scientific innovation a meta-analytic approach (Commentary on Simonton). Perspectives on Psychological Science, 4(5), 455–459.

    Article  Google Scholar 

  • Tatchyn, R. (1979). Ivan Franko: The master jests. New York, NY: Shevchenko Scientific Society.

    Google Scholar 

  • Tatu, R. (2013). Forward thinkers: From multidisciplinary new specialties to MOOCs, engineering education must meet expanding challenges and serve new constituencies, several leaders say. PRISM, 22(9), 53–55.

    Google Scholar 

  • Ukrainian Orthodox Church. (1988). Ukraine, a concise encyclopedia. Washington, DC: Library of Congress.

    Google Scholar 

  • UNIS (Ukrainian National Information Service) (2014, September 28). Ukraine advocacy in Washington coincides with Poroshenko visit. The Ukrainian Weekly, pp. 1, 10.

    Google Scholar 

  • Voloshky (2014). Voloshky Ukrainian dance ensemble: About http://www.voloshky.com/about/ Accessed June 12, 2014.

  • Weisberg, R. W. (1986). Creativity: Genius and other myths. New York, NY: W.H. Freeman and Company.

    Google Scholar 

  • Weisberg, R. W. (1995). Case studies of creative thinking: Reproduction versus reconstructing in the real world. In S. M. Smith, T. B. Ward, & R. A. Finke (Eds.), The creative cognition approach. Cambridge, MA: MIT Press.

    Google Scholar 

  • Weisberg, R. W. (1999). Creativity and knowledge: A challenge to theories. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge, UK: Cambridge University Press.

    Google Scholar 

  • Wilson, E. O. (1998). Consilience: The unity of knowledge. New York, NY: Alfred A. Knopf.

    Google Scholar 

  • Wilson, G. D., & Jackson, C. (1994). The personality of physicists. Personality and Individual Differences, 16, 187–189.

    Article  Google Scholar 

  • Yaroshevskii, M. G. (1987). The psychology of creativity and creativity in psychology. Soviet Psychology, 25, 22–44.

    Google Scholar 

  • Zhukovskyj, A., Vasyl, M., Ohloblyn, O., Figol, A., & Shevelev, Y. (1955). The Molode Zyttia Press. New York, NY: Shevchenko Scientific Society Inc.

    Google Scholar 

  • Zichichi, A. (1999). Creativity in science: 6th International Zermatt symposium creativity in economics, arts and science. New Jersey: World Scientific.

    Google Scholar 

Download references

Acknowledgments

I would like to express special gratitude to Anthony Doyle, Ostap Szwabinsky, Mykola Shynkaryk, Hania Essenhigh, and Marianna Klochko for editorial feedback and attention to detail and sincere gratitude to Myroslava Mudrak for introducing me to the work of Archipenko, Alex Charyton, Alexander Rakowsky, Lesya Rakowsky, and Arka Melnyk for their input regarding characteristics and experiences of the Ukrainian culture and confirming what I have witnessed growing up in the Ukrainian culture. I am grateful to Victor Borsukevich for translating educational materials from Ukrainian to English, Mykola Shynkaryk for translating Ukrainian text and e-mails into English, and Father Bob Stash for conversations about the spiritual meaning of the Tryzub and advice for obtaining translations and visiting Ukraine. I am grateful to Andriy Fedynsky, Marko Tarnawsky, Ivan Kulak, and Iryna Kurylec for resources and library support at Ukrainian Educational Centers. I am grateful to Ukrainska Biblioteka and the Ukrainian Educational and Cultural Center, 700 Cedar Road, Jenkintown, Pennsylvania, 19046, and Ukrainian Museum-Archives, 1202 Kenilworth Avenue, Cleveland, Ohio, 44113. I am very grateful to Arka Melnyk, Mariyka Szwabinsky, and Hania Essenhigh for resources and perspectives as well as the Ukrainian Cultural Association of Ohio and United Ukrainian Organizations of Ohio for cosponsoring local Ukrainian events as well as Father Deacon Jeff Martin for support regarding the current situation in Ukraine. I am grateful for spiritual support from Pope Francis, Bishop John Kendrick, Father Bob Stash, Father Vasil Bunik, Father Deacon Jeff Martin, and Matthew Matuszak at Ukrainian Catholic University for intentions and prayers for Ukraine. I am grateful to Frank Farley, Greg Feist , Bob Sternberg , Dean Simonton , and CP Snow for their inspiring and scientific encouragement that has had great impact and meaning in my academic path. I would also like to thank my creativity class for expressing keen interest regarding a lecture on Ukrainian artist Alexander Archipenko and the Ukrainian culture. Special gratitude to conversations with Father Deacon Jeff about identifying the problems and suggestions for rectifying the Ukraine Crisis and Alex Charyton for perseverance, interest and support with staying abreast of important fast-paced updates on Ukraine as well as Alex Charyton and the Charyton family for Ukrainian cultural influences and influences of valuing the power and legacy of Taras Shevchenko .

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Christine Charyton .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2015 Springer-Verlag London

About this chapter

Cite this chapter

Charyton, C. (2015). Art, Creativity, and Culture: How Art Intersects with Science in the Expression of Artistic Creativity. In: Charyton, C. (eds) Creativity and Innovation Among Science and Art. Springer, London. https://doi.org/10.1007/978-1-4471-6624-5_9

Download citation

  • DOI: https://doi.org/10.1007/978-1-4471-6624-5_9

  • Published:

  • Publisher Name: Springer, London

  • Print ISBN: 978-1-4471-6623-8

  • Online ISBN: 978-1-4471-6624-5

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics