Abstract
Hands are frequently represented in cave and cliff art found in various locations worldwide. Most well known are the handprints found in caves in southern Europe, primarily France and Spain as well as Italy, Portugal, Germany and the Balkans. Handprints are also found outside Europe, for instance in Australia, North America and South America. The most common are so-called negative handprints, where coloured pigment has been sprayed around a hand placed on a cliff wall to produce a ‘negative’ hand image. In some locations, the images show mutilated hands lacking one or more fingers. The meaning of the hand images is not clear, but they may have been important components of religious rituals. In Sweden hands are frequently depicted in rock carvings in the county of Bohuslän in the southwest part the country. A spectacular rock carving from the late Bronze Age 3,000–3,500 years ago, portraying a man and a woman unified by a large joint hand, symbolises ‘the sacred union’ between the god and goddess of fertility. This carving, like a large number of additional carvings at the site, is covered by heavy vegetation, making them available only to a few experts in the field.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Bahn PG, Vertut J. Images of the ice age. New York: Facts on File; 1988.
Bahn P, Vertut J. Journey through the ice age. Berkeley: University of California Press; 1997.
Snow DR. Sexual dimorphism in upper palaeolithic hand stencils. Antiquity. 2006;80:390–404.
Clottes J, Courtin J. La grotte Cosquer: peintures et gravures de la grotte engloutie. Paris: Seuil, cop; 1994.
Clottes J. Les cavernes de Niaux: art préhistorique en Ariège. Paris: Seuil; 1995.
Barriére C. L’art parietal de la grotte de Gargas. Mémoires de l’Institute d’art prehistorique de Tolouse: British Archaeological Report; 1976.
Delluc B, Delluc G. Le sang, la souffrance et la mort dans l’art paléolithique. L’ Anthropologie. 1989;93:389–406.
Leroi-Gourhan A. Les mains de Gargas. Essai pour une étude d’ensemble. Bulletin de la Société préhistorique française Études et travaux. 1967;64:107–22.
Lorblanchet M. Peindre sur les parois de grottes. Dossiers de l’ Archéologie. 1980;46:33–9.
Luquet G. Sur les mutilations digitales. J Psychol Norm Pathol. 1938;35:548–98.
Verbrugge A. La main dans la prehistorique. Initiation à l’archeologie et á la prehistorique. 1979;13:25–39.
Altuna J, Baldeón A, Mariezkurrena K. L’art des cavernes en Pays basques. Paris: Seuil; 1997.
Lewis-Williams D. The mind in the cave: consciousness and the origins of art. London: Thames & Hudson; 2002.
Ramos PAS. The cave of Altamira. New York: Harry N. Abrams; 1998.
Thiault MH, Roy JB. L’art prehistorique des Pyrénees. Paris: Réunion des Musées Nationaux; 1996.
Clottes J. Cave art. New York: Phaidon Press; 2008.
Bahn PG. The Cambridge illustrated history of prehistoric art. Cambridge: Cambridge University Press; 1998.
Leroi-Gourhan A. Treasures of prehistoric art. New York: H.N. Abrams; 1967.
Hodgson B, Blair J. Argentina’s new beginning. Nat Geogr. 1986;170:226–55.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2014 Springer-Verlag London
About this chapter
Cite this chapter
Lundborg, G. (2014). Handprints from the Past. In: The Hand and the Brain. Springer, London. https://doi.org/10.1007/978-1-4471-5334-4_5
Download citation
DOI: https://doi.org/10.1007/978-1-4471-5334-4_5
Published:
Publisher Name: Springer, London
Print ISBN: 978-1-4471-5333-7
Online ISBN: 978-1-4471-5334-4
eBook Packages: MedicineMedicine (R0)