Abstract
This intention of this chapter is to critically examine uses of the World Wide Web by fans of cult movies. It begins by outlining how cult movies are categorised, and notes the problems that this engenders. Then the relationship between technologies and subcultural practices is observed. Examples are presented to illustrate the question of whether, through remediation processes, such practices tell us anything new about forms of contemporary communication and consumption.
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References
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Magazines
Cult Movies (USA, ed. Michael Copner)
Nocturno Cinema (Italy, ed. Manlio Gomarasca, Davide Pulici)
Psychotronic Video (USA, ed. Michael Weldon)
Shock Cinema (USA, ed. Steve Puchalski)
Sleazoid Express (USA, ed. Bill Landis)
Video Watchdog (USA, ed. Tim Lucas)
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Bad Cinema Diary (http://www.cathuria.com/bcd/)
Cult Movies and Movie Treasures (http://www.geocities.com/Hollywood/Cinema/5034/ index.html)
DVD Cult (http://www.dvdcul t. com/)
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Nocturno Cinema (http://www.nocturnocinema.com/)
Pimpadelic Wonderland (http://pimadelic-wonderland. negation. net/home. html)
Shock Cinema (http://members.aol.com/shockcin/main.html)
So Sweet So Perverse (http://so-sweet. cwc. net/i ndex. html)
Something Weird (http://www.somethingweird.com/)
Trash Palace (http://www.trashpalace.com/)
Video Watchdog (http://www.cinemaWeb.com/videowd/)
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© 2002 Springer Springer-Verlag London Limited
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Goodall, M. (2002). Trashing the Net: Subcultural Practice Online. In: Earnshaw, R., Vince, J. (eds) Intelligent Agents for Mobile and Virtual Media. Springer, London. https://doi.org/10.1007/978-1-4471-0677-7_12
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DOI: https://doi.org/10.1007/978-1-4471-0677-7_12
Publisher Name: Springer, London
Print ISBN: 978-1-4471-1175-7
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