Skip to main content

Context

  • Chapter
  • 279 Accesses

Abstract

In the popular mind, computers have a poor reputation when it comes to creativity. Until the invention of the World Wide Web, they were associated mainly with calculations, science, banking and word processing. However, from the early days of computers, some people have always been interested in using them to create art. In 1963 the magazine, Computers and Automation began its annual competition on computer art. Computer graphics were publicly exhibited as art by Georg Nees’ at the Studio Galerie, University of Stuttart in January, 1965. The exhibition, which was opened by Max Bense, showed works produced with a graph plotter and generated by computer programs written by Nees himself. Later in the same year, A. Michael Noll and Bela Julesz3 showed computer graphics at the Howard Wise Gallery in New York and, in November, Frieder Nake4 exhibited his computer graphics at the Wendelin Niedlich Galerie, also in Stuttgart. He recalls that distant beginning and the personalities involved later in this chapter. For a few people, at least, a new era had really begun.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD   169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Reichardt, J.: (editor) Cybernetic Serendipity: the Computer and the Arts. Studio International, London (1968)

    Google Scholar 

  2. Reichardt, J.: The Computer in Art. Studio Vista, London (1971)

    Google Scholar 

  3. Page: Bulletin on the Computer Arts Society. British Computer Society, London. (1968–1981)

    Google Scholar 

  4. Pontus Hultén, K.G.: The Machine, as Seen at the End of the Mechanical Age. The Museum of Modern Art, New York (1968)

    Google Scholar 

  5. Malevich, K. S.: On New Systems in Art. Anderson, T. (ed) Essays on Art 1915–1933. Rapp and Whiting, London (1968) 1915–1933

    Google Scholar 

  6. Railing, P.: From Science to Systems of Art. Artists’ Bookworks, Forest Row, East Sussex, England (1989)

    Google Scholar 

  7. Bann, S.: Introduction, In Systems. Arts Council, London (1972) 5–14

    Google Scholar 

  8. LegoTM:http://www.lego/com/

  9. YLEM:http://www.ylem.org

  10. Popper, F.: Electra. Musée d’Art Moderne de la Ville de Paris, Paris (1983)

    Google Scholar 

  11. V2:http://www.v2.nl/index.php

  12. Ars Electronica:http://www.aec.at/

  13. ZKM: Zentrum fiir Kunst und Medientechnologie.: Hardware, Software, Artware. Cantz Verlag, Ostfildern (1997)

    Google Scholar 

  14. NTT-InterCommunication Centre Concept Book. NTT Publishing Company, Tokyo (1998)

    Google Scholar 

  15. Advanced Telecommunications Research Institute, Kyoto:http://www.mic.atr.co.jp/

  16. Hewett, T.T., Baecker, R., Card, S., Carey, T., Gasen, J., Mantei, M., Perlman, G., Strong, G., and Verplank, W.: ACM SIGCHI Curricula for Human—Computer Interaction (1992)

    Google Scholar 

  17. Creativity and Cognition: seehttp://www.creativityandcognition.com

  18. Creativity and Cognition Research Studios:http://creative.lboro.ac.uk/ccrs/

  19. Gero, J.S. (ed): Modeling Creativity and Knowledge-Based Creative Design. University of Sydney, December (1989)

    Google Scholar 

  20. Constructivism versus Computer Exhibition, World Trade Centre, Rotterdam. Pro Foundation (1989)

    Google Scholar 

  21. Candy, L. and Edmonds, E. A.: (eds) Proceedings, 1st International Symposium on Creativity and Cognition, Loughborough University, UK (1993)

    Google Scholar 

  22. Candy, L. and Edmonds, E.A.: (eds) Proceedings 2nd International Symposium on Creativity and Cognition, Loughborough University (1996)

    Google Scholar 

  23. Candy, L. and Edmonds, E.A.: (eds) Proceedings 3rd International Symposium Creativity and Cognition, ACM Press, New York (1999)

    Google Scholar 

  24. Harris, C.: (ed) Art and Innovation: The Xerox PARC Artist-in-Residence Program. MIT Press, Cambridge, MA (1999)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2002 Springer-Verlag London

About this chapter

Cite this chapter

Candy, L., Edmonds, E. (2002). Context. In: Explorations in Art and Technology. Springer, London. https://doi.org/10.1007/978-1-4471-0197-0_1

Download citation

  • DOI: https://doi.org/10.1007/978-1-4471-0197-0_1

  • Publisher Name: Springer, London

  • Print ISBN: 978-1-4471-1103-0

  • Online ISBN: 978-1-4471-0197-0

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics