Abstract
In Mary the cosmological body of grace is merged with the bountiful female body. Grace — in a cosmological rather than a denominational sense — is our conscious experience of the unity in which we are embedded. It is our perception of the larger reality, the sacred whole, infused with the divine creativity called God, Goddess, or the Great Holy. We can speak of the cosmological body of grace because the cosmos constitutes a unity, unfurling the curve of space/time within the gravitational embrace. As for the bountiful female body, it too has always been a source of elemental mystery. Its blood tides flow in rhythm with the moon, then pause when it swells as round as a full moon and grows people from its flesh, keeping the newborns alive with food it has transformed into milk. Even in the age of science, mysterious paradox survives within this body. How could the tenderness of belly and breast accomplish such tough feats? The female body, both vulnerable and hugely resilient, has always attracted a charged reaction from culture, especially from the deepest pool of cultural response: religion. Honored or feared, the female is the matrix, the life force, the incomparable sanctuary.
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Notes
St. Ambrose, In Lucam 2, 56; cited by Bertrand Buby, Mary of Galilee, vol. 3, The Marian Heritage of the Early Church (Staten Island, NY: Alba House, Society of St. Paul, 1997), p. 122.
Martin Luther, “The Magnificat,” in Jaroslav Pelikan, ed., Luther’s Works (St. Louis, MO: Concordia, 1956), vol. 21, p. 308.
J. L. Nelson, “Microchimerism in Human Health and Disease,” American Journal of Human Biology 15, no. 3 (May–June 2003): 330–41.
Sarah Blaffer Hrdy, Mother Nurture: Maternal Instincts and How They Shape the Human Species (New York: Ballantine Books, 1999), p. 94.
Anne Winston-Allen, Stories of the Rose: The Making of the Rosary in the Middle Ages (University Park, PA: Pennsylvania State University Press, 1997), p. 100.
Cited by Henry Adams, Mont-Saint-Michel and Chartres (New York: W. H. Smith / Gallery Books, 1985), p. 69.
See Johann G. Roten, “Mary and the Way of Beauty,” Marian Studies 49 (1998): 109–127.
Gerard Manley Hopkins, “May Magnificat,” in Norman H. Mackenzie, ed., The Poetical Works of Gerard Manley Hopkins (Oxford, England: Clarendon Press / New York: Oxford University Press, 1990), pp. 153–154.
See Judy Grahn, Blood, Bread, and Roses (Boston: Beacon Press, 1993)
Dante Alighieri, The Divine Comedy: Paradiso, translated by Allen Mandelbaum (Berkeley and Los Angeles: University of California Press, 1984), canto 32, p. 286.
See Cynthia Pearl Maus, The World’s Great Madonnas (New York: Harper & Brothers, 1947).
See Lucia Chiavola Birnbaum, Black Madonnas: Feminism, Religion, and Politics in Italy (Boston: Northeastern University Press, 1993).
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© 2004 Charlene Spretnak
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Spretnak, C. (2004). Her Mystical Body of Grace. In: Missing Mary. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-4039-7854-7_8
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DOI: https://doi.org/10.1007/978-1-4039-7854-7_8
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