Abstract
After all the noise and drama of his explosive life and death, John Brown’s body finally hanged, eerily silent and ominously swaying in the crisp Virginia air of December 1859. Jacob Lawrence’s interpretation of this eternal moment places Brown between two worlds, the heavens opening behind to let him in (figure 7.1). Lawrence’s Brown is an emblem, a timeless and abstract figure, transformed in death from man to myth, more important for what he represents than for his individual humanity. The white cloud behind the figure suggests a land mass, the blue sky of the ocean around North America, and so Brown feels like a national symbol, lifted above and superimposed onto the United States.
such a man as it takes ages to make, and ages to understand
Henry David Thoreau, 1860
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Editor information
Editors and Affiliations
Copyright information
© 2005 Andrew Taylor and Eldrid Herrington
About this chapter
Cite this chapter
Stauffer, J., Trodd, Z. (2005). Meteor of War: The John Brown Cycle. In: Taylor, A., Herrington, E. (eds) The Afterlife of John Brown. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-4039-7846-2_8
Download citation
DOI: https://doi.org/10.1007/978-1-4039-7846-2_8
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-99958-3
Online ISBN: 978-1-4039-7846-2
eBook Packages: Palgrave History CollectionHistory (R0)