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Part of the book series: Social History in Perspective ((SHP))

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Abstract

Theatre-going Elizabethan Londoners might not have found the dramatic representation of class conflict quite as alien as we imagine. Well-read members of theatre audiences might have recognised some of William Shakespeare’s borrowings from the printed Chronicles edited under the name of William Holinshed.1 Purporting to cover the whole history of the British Isles, the Chronicles were laced with lurid accounts of popular rebellion, sedition and riot. The Chronicles’ emphasis upon the levelling nature of popular politics might easily have persuaded an uncritical reader that the peasants were always revolting. Albeit for different reasons, the poorer groundlings who paid for standing room within Elizabethan theatres might also have been familiar with the language of rebellion. In Shakespeare’s Henry VI Part II, written around 1590, the character of Jack Cade was defined by his vindictive and bloodthirsty social critique. This depiction differed sharply from what is known of the real-life Jack Cade, who had led a rebellion in 1450 in which notions of legality and order had been prominent.2 In contrast, the sanguine fantasies of Shakespeare’s Cade, who seeks to slaughter the gentry, seemed closer to some of the seditious talk in English alehouses during the last decade of Elizabeth’s reign.3

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© 2002 Andy Wood

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Wood, A. (2002). Introduction. In: Riot, Rebellion and Popular Politics in Early Modern England. Social History in Perspective. Palgrave, London. https://doi.org/10.1007/978-1-4039-4038-4_1

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  • DOI: https://doi.org/10.1007/978-1-4039-4038-4_1

  • Publisher Name: Palgrave, London

  • Print ISBN: 978-0-333-63762-3

  • Online ISBN: 978-1-4039-4038-4

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