Abstract
During the time in which he was engaged in writing about David Copperfield’s authorial self-fashioning, Dickens was also attempting to bring to fruition a scheme which had long formed part of his own authorial self-conception — the scheme to ‘conduct’ a periodical in which he ‘could speak personally’ to the readers of his novels.1 At the end of March 1850, some eight months before Copperfield finished its run, the first number of Dickens’s magazine Household Words appeared. From this point on, as Peter Ackroyd points out, Dickens was to engage for the rest of his life ‘in laboured and often difficult editorial work, day by day, week by week, correcting the articles of others, cutting and reshaping, entitling, collaborating with other writers, corresponding, dealing with printers and distributors’ (Ackroyd, 622). Of course, as I have emphasized in earlier chapters, Dickens began his writing life as a journalist, working for daily and weekly newspapers and periodical miscellanies of various kinds. He had maintained his contact with the newspaper and periodical press after the success of Pickwick writing reviews for The Examiner between 1837 and 1843, and becoming founding editor of the Daily News in 1846 (although he resigned after only seventeen issues).
To the wholesome training of severe newspaper-work, when I was a very young man, I constantly refer my first successes.
Dickens, quoted in Life, I: 51
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Notes
Ann Lohrli, Household Words Conducted by Charles Dickens: Table of Contents, List of Contributors and Their Contributions (Toronto: University of Toronto Press, 1973), p. 3. This section is particularly indebted to Lohrli’s work.
See Audrey Jaffe, Vanishing Points: Dickens, Narrative and the Subject of Omniscience (Berkeley, Cal.: University of California Press, 1991), p. 23.
Elizabeth Gaskell, The Letters of Mrs Gaskell, ed. J. A. V. Chapple and Arthur Pollard (Manchester: Manchester University Press, 1966), letter no. 418.
John Butt and Kathleen Tillotson, Dickens at Work (London: Methuen, 1957) p. 179.
Elizabeth Gaskell, Preface to Mary Barton (London: Chapman and Hall, 1848).
Thomas Carlyle, Past and Present (London: Oxford University Press, World’s Classics, 1932 [18431), 3: 3, p. 155.
Thomas Carlyle, ‘Chartism’, in Thomas Carlyle: Selected Writings, ed. Alan Shelston (Harmondsworth: Penguin, 1971), p. 151.
Virginia Blain, ‘Double Vision and the Double Standard in Bleak House: A Feminist Perspective’, Literature and History 11 (1985), 31–46, at p. 31.
Raymond Williams, Politics and Letters: Interviews with ‘New Left Review’ (London: New Left Books, 1979), p. 247.
See J. Hillis Miller, Introduction to Bleak House, ed. Norman Page (Harmondsworth: Penguin, 1971).
Walter Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism (London: Verso, 1997), pp. 38 and 40.
Tzvetan Todorov, ‘The Typology of Detective Fiction’, in The Poetics of Prose, trans. Richard Howard (Oxford: Blackwell, 1977), pp. 45–52.
D. A. Miller, The Novel and the Police (Berkeley and London: University of California Press, 1988), pp. 89 and 84.
Allon White, ‘Bakhtin, Sociolinguistics, Deconstruction’, in his Carnival, Hysteria and Writing: Collected Essays and an Autobiography (Oxford: Oxford University Press, 1994), p. 136.
Mikhail Bakhtin, ‘Discourse in the Novel’, in The Dialogic Imagination: Four Essays, trans. Carl Emerson and Michael Holquist, ed. Michael Holquist (Austin: University of Texas Press, 1981), p. 300.
Pam Morris, Bleak House (Buckingham: Open University Press, 1991), p. 56.
John Lucas, The Melancholy Man: a Study of Dickens’s Novels (Sussex: Harvester Press, 1970), p. 254.
F. R. Leavis, Dickens the Novelist (Harmondsworth: Penguin, 1970), p. 251.
Catherine Gallagher, The Industrial Reformation of English Fiction: Discourse and Narrative Form (Berkeley, Cal.: University of California Press, 1985), p. 183.
See Harry Stone, Dickens’ Working Notes for His Novels (Chicago: University of Chicago Press, 1987), p. 273.
George Gissing, Charles Dickens: A Critical Study (London: Blackie and Sons, 1926 [1898]), p. 58.
George Bernard Shaw, Foreword to Great Expectations (Edinburgh: R. and R. Clark, 1937), p. ix.
T. A. Jackson, Charles Dickens: The Progress of a Radical (London: Lawrence and Wishart, 1937), p. 169.
Edmund Wilson, The Wound and the Bow (London: Methuen, 1961 [19411), pp. 52 and 61.
Hilary M. Schor, Dickens and the Daughter of the House (Cambridge: Cambridge University Press, 1999), pp. 133–4.
Patricia Ingham, Invisible Writing: Readings in Language and Ideology (Manchester: Manchester University Press, 2000), p. 161.
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© 2002 Lyn Pykett
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Pykett, L. (2002). The Novelist as Journalist in Hard Times, 1850–7. In: Charles Dickens. Critical Issues. Palgrave, London. https://doi.org/10.1007/978-1-4039-1919-9_5
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