This critical commentary on Heidegger’s “The Origin of theWork of Art” is part of a continuing attempt to address some questions raised by Hegel’s pronouncement that “art is, and remains for us, on the side of its highest destiny, a thing of the past,”1 questions that, as Heidegger recognized, concern much more than just the future of art.
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© 2009 Springer Science+Business Media B.V.
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Harries, K. (2009). Introduction: The End of Art?. In: Art Matters. Contributions To Phenomenology, vol 57. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-9989-2_1
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DOI: https://doi.org/10.1007/978-1-4020-9989-2_1
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