Art and Awareness

  • Jaimie Jandovitz
Part of the Analecta Husserliana book series (ANHU, volume 96)

Keywords

Posit Poplar Harness Shoe 

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References

  1. Animalschoolnet, “Elephant Paintings,” Hollywood Animals: Exotic Animal Training School and Animal Adventures.Google Scholar
  2. R. G. Collingwood, “Principles of Art,” in Stephen David Ross, ed., Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany, NY: SUNY Press, 1994), pp. 192–201.Google Scholar
  3. John Dewey, “Art as Experience,” in Stephen David Ross, ed., Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany, NY: SUNY Press, 1994), pp. 204–220.Google Scholar
  4. Nelson Goodman, “Languages of Art,” in Stephen David Ross, ed., Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany, NY: SUNY Press), 1994, pp. 247–252.Google Scholar
  5. Nelson Goodman, “When Is Art?,” in Stephen David Ross, ed., Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany, NY: SUNY Press, 1994), pp. 238–246.Google Scholar
  6. Martin Heidegger, “The Origin of the Work of Art,” in Stephen David Ross, ed., Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany, NY: SUNY Press, 1994), pp. 254–280.Google Scholar
  7. Thomas Merton, Conjectures of a Guilty Bystander (New York: Image Books, 1968).Google Scholar
  8. Stephen David Ross, Art and Its Significance: An Anthology of Aesthetic Theory, 3rd ed. (Albany: SUNY Press, 1994).Google Scholar

Copyright information

© Springer 2008

Authors and Affiliations

  • Jaimie Jandovitz

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