Skip to main content

Tertiary Dance Education in Malaysia

  • Chapter
Educating in the Arts

Part of the book series: Education in the Asia-Pacific Region: Issues, Concerns and Prospects ((EDAP,volume 11))

The government of Malaysia approved the establishment of the Akademi Seni Kebangsaan, or the National Arts Academy in 1990, under the auspices of the Ministry of Culture, Arts and Tourism. This was to be the nation’s first institution of higher learning, providing full-time training focused solely on the arts and one that would reflect Malaysia’s cultural heritage and identity. Although several universities in Malaysia now offer undergraduate and graduate arts degrees in theatre and music, few if any, place an emphasis on Malaysian traditional performing arts. At present, there are no first degrees offered in dance.

1999 saw the appointment of Joseph Gonzales, one of the institution’s pioneer lecturers, as Head of Dance, whose background was primarily in performance and choreography as opposed to academia. Through discussion with Malaysian luminaries such as Ramli Ibrahim, Dr. Zamin Haroon Chandrabanu, Marion D’Cruz, Choo Tee Kuang, Suhaimi Magi, Mew Chang Tsing and Loke Soh Kim, the general consensus was that the training offered too broad an approach to dance training and it lacked focus and direction. The system then underwent a major paradigm shift with a greater emphasis on three major areas, namely, traditional dance training, Western dance training and choreography, retaining and reinforcing its multiculturality. The intention of the dance department of the Akademi Seni Kebangsaan is now to train the body to be responsive to the various styles of dance in Malaysia, but with a world and global perspective. To make the academy more competitive, the diploma is now offered in three years instead of four. This more focused and comprehensive programme was tailored to produce good and skilled dancers. The ability to analyse, communicate ideas verbally and interpret them using the language of dance remains an integral component of the training. With the realization that not all students will be proficient in all areas of dance, the academy now offers its courses in a modular format, as is practised in numerous universities and institutions of higher learning. This provides the students with an opportunity to choose, to specialize and to excel in one or more areas of dance, depending on their aptitude, talent, desire and determination.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 149.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 199.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 199.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Gardner, H. 1991. The Unschooled Mind: How Children Think and How Schools Should Teach. USA: Basic Books.

    Google Scholar 

  • Gonzales, J. 2001. Evolution of Malaysian Contemporary Dance Choreography, p. 222. Singapore: World Dance Alliance,

    Google Scholar 

  • Gonzales, J. 2001. The Training of a Malaysian Artist. Australia New Zealand Dance Research Society. Inaugural Journal.

    Google Scholar 

  • Gonzales, J. 2000. Making contemporary dance in Malaysia. In Mohd. Nor, Mohd. Anis (ed.) Asian Dance – Voices of the New Millennium, pp. 53–64. University of Malaya Press.

    Google Scholar 

  • Gonzales, J. 2004. Choreography – A Malaysian Perspective. Akademi Seni Kebangsaan.

    Google Scholar 

  • Gonzales, J. 2004. In Contemporary Dance. Encylopedia of Performing Arts Volume 8. Ghulam-Sarwar, Yousof (ed.). Singapore: Archipelago Press and Editions Didier Millet.

    Google Scholar 

  • Knappert, J. 1999. Mythology and Folklore in SEA. Oxford University Press.

    Google Scholar 

  • Miettinien, J.O. 1992. Classical Dance and Theatre in SEA. Oxford University Press.

    Google Scholar 

  • Ministry of Culture Arts and Tourism Tarian-Tarian Melayu. Kuala Lumpur.

    Google Scholar 

  • Mohd Nor, Mohd. A. 1993. Zapin; Folk Dance of the Malay World. Singapore: Oxford University Press.

    Google Scholar 

  • Mubin, S. 1983. Taman Saujana. International Book Service.

    Google Scholar 

  • Nasarudin, Mohd G. 1995. The Malay Dance. Kuala Lumpur: Dewan Bahasa dan Pustaka.

    Google Scholar 

  • Sabaruddin, S. 1993. Tarian-tarian Melayu. Kuala Lumpur: Pustaka Bakti Wira.

    Google Scholar 

  • Siebel, S. 2000. Critique for “Dance menscapes – when they Dance 3, Day and Night, May 15–21.

    Google Scholar 

  • Winstedt, R. 1961. The Malays: A Cultural History. Routledge and Kegan Paul.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2008 Springer Science + Business Media B.V

About this chapter

Cite this chapter

Gonzales, J. (2008). Tertiary Dance Education in Malaysia. In: Joubert, L. (eds) Educating in the Arts. Education in the Asia-Pacific Region: Issues, Concerns and Prospects, vol 11. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-6387-9_21

Download citation

Publish with us

Policies and ethics