Abstract
The Madness of George III was first performed at the Royal National Theatre, Lyttelton Theatre, 28 November 1991, directed by Nicholas Hytner. Hytner also directed the film version, The Madness of King George, released 1995. Its roots lie in one of the oldest rituals in the world: a king disempowered, effectively dethroned, and conducted to hell (or, in some versions, killed), then returned to health and sanity (or, in some versions, resurrected). It is extraordinarily powerful, and has remained so for millennia. The Madness of George III is seldom discussed in these terms, partly because the mythic elements are so well camouflaged. Bennett’s play is meticulously respectful of historical detail, and incorporates many of the words actually spoken, or written, by its characters.1 And it is, to a large extent, preoccupied with the political consequences of the King’s indisposition. Everything about it, in fact, directs us towards its context, painstakingly established both through the twists and turns of the plotting, and Nicholas Hytner’s evocative production.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Andrew Motion, Philip harkin: A Writer’s Life (London: Faber and Faber, 1993).
See Noel Annan, Our Age (London: HarperCollins, 1990), p. 590.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2000 Duncan Wu
About this chapter
Cite this chapter
Wu, D. (2000). Alan Bennett, The Madness of George III (1991). In: Wu, D. (eds) Making Plays. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-65305-8_4
Download citation
DOI: https://doi.org/10.1007/978-1-349-65305-8_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-91561-5
Online ISBN: 978-1-349-65305-8
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)