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Body Language: a Study of Death and Gender in Crime Fiction

  • Sarah Dunant

Abstract

When as a crime writer I find myself in front of live audiences, one of the first things I am always asked is why crime fiction is so popular. It’s an interesting question, not least because the very people asking it — fans of the genre — are the ones who, in theory, ought to be able to answer it. After all, they buy and voraciously read the stuff. Yet when you put the question back to them they never can. Or at least not satisfactorily.

Keywords

Sexual Violence Serial Killer Woman Writer Dead Person Green Stone 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    Raymond Chandler, The Lady in the Lake in Later Novels and Other Writings (New York: Library of America, 1995), pp. 38–9.Google Scholar
  2. 2.
    Philip Kerr, A Philosophical Investigation (London: Chatto & Windus, 1992), pp. 3–4.Google Scholar
  3. 3.
    Judith Walkowitz, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian England (London: Virago, 1992).CrossRefGoogle Scholar

Copyright information

© Sarah Dunant 2000

Authors and Affiliations

  • Sarah Dunant

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