Skip to main content

Abstract

Imogen could be considered a ridiculous romantic, but Miss O’Brien clearly believes in her and therefore so do we, It is an astonishingly strong, appealing, and affecting performance. Among the other principals, Kenneth Walsh is a passionate Posthumous, stalwartly keeping him from seeming the fool… Robin Gammell as the stupid prince is a bit too much of a fright-wigged freak, and while Leo Ciceri is forceful as the conniving Iachimo, he misses some of the character s merry malevolence. (Mel Gussow, New York Times, 24 July 1970)

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 229.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 299.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Authors

Copyright information

© 2010 Katharine Goodland and John O’Connor

About this chapter

Cite this chapter

Goodland, K., O’Connor, J. (2010). Cymbeline. In: A Directory of Shakespeare in Performance, 1970–1990. A Directory of Shakespeare in Performance Series. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-60041-0_6

Download citation

Publish with us

Policies and ethics