Abstract
Some of the most remarkable examples of spiritual direction to survive from the high Middle Ages come from Hadewijch. Few facts are known about her life beyond the facts that she was an educated beguine who lived in the Low Countries during the thirteenth century. Contemporary sources take no notice of her, indicating her activity as spiritual director was not extraordinary or unusual. To the contrary, the historical context of Hadewijch’s own letters reveals her directees and those reading her work after her death considered a woman in such a position as unexceptional. As a spiritual director she should be considered to be representative of the many women who also practiced spiritual direction within their communities without gaining notoriety. Her spirituality, though, is anything but representative. It is in context, in expression, and in influence unique. Few authors writing in any genre have been able to communicate so creatively and convincingly their own understanding of life as Hadewijch, and modern scholarship has barely begun to do her justice. Recent attention to her has already yielded major revisions in the history of mysticism and Hadewijch’s contributions to it. When we insert the same basic facts in the history of spiritual direction, we must likewise revise the history of spiritual direction to place Hadewijch in a more prominent position.
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Notes
Cf. New Catholic Encyclopedia (New York: McGraw Hill, 1967), s.v. “Hadewijch” by Norbert de Paepe, claims minne is the experience of the soul in relation to God; Stephanus Axters, The Spirituality of the Old Low Countries, tr. Donald Attwater (London: Blackfriars, 1959), says it refers to God.
Much has been written and debated of late about Hadewijchs influence on Eckhart. Most scholars posit that Hadewijch and Hadewijch II (whose poems had once been considered to be Hadewijchs but have not been dealt with here) heavily influenced him. See Louis Bouyer, Women Mystics (San Francisco: Ignatius Press, 1993);
Jozef van Mierlo, Hadewijch Mengeldichten (Brussels: n.p., 1912);
A. C. Bouman, “Die literarische Stellung der Dichterin Hadewijch,” Neophilologus 8 (1923), 270–279; and Saskia Murk-Jansen, “Hadewijch and Eckhart: Amor intellegere est,” in McGinn, Beguine Mystics, 17–30. Paul A. Dietrich, “The Wilderness of God in Hadewijch II and Meister Eckhart and His Circle,” ibid., 31–43, tempers it more by saying that “perhaps it is enough to observe” Eckhart wrote in a world shaped by the “mystical thought and expression of women who lived in a generation or two earlier.” (43).
Cf. Gillian T. W. Ahlgren, “Visions and Rhetorical Strategy in the Letters of Hildegard of Bingen,” in Dear Sisterl, ed. Karen Cherewatuk and Ulrike Wiethaus (Philadelphia: University of Pennsylvania Press, 1993), 46–63.
Sabrina Flanagan, Hildegard of Bingen, 1098–1179: A Visionary Life (London: Routledge, 1989), 72.
Thomas of Celano, Legenda, 36, in Legend and Writings of S. Clare of Assisi: Introduction: Translation: Studies, ed. Ignatius Brady (St. Bonaventure, NY: Franciscan Institute, 1953), 43–44.
Second letter to Agnes, 8, in Francis and Clare: The Complete Works, tr. Regis J. Armstrong and Ignatius C. Brady (New York: Paulist Press, 1982), 195.
See, for example, Life of Blessed Juliana of Mont-Cornillon, tr. Barbara Newman (Toronto: Peregrina Publishing Co., 1989); Thomas de Cantimpré, Life of Margaret of Ypres, tr. Margot King (Toronto: Peregrina Publishing Co., 1990);
Jacques de Vitry, Life of Marie d’Oignies, tr. Margot H. King (Saskatoon: Peregrina Publishing Co., 1989); Lives of Ida of Nevilles, Lutgard and Alice the Leper, tr. Martinus Cawley (Lafayette, OR: Our Lady of Guadalupe Abbey, 1987); The Life of Beatrice of Nazareth, 1200–1268, tr. Roger De Ganck (Kalamazoo, MI: Cistercian Publications, 1991);
and Thomas de Cantimpré, Supplement to the Life of Marie d’Oignies, tr. Hugh Feiss (Saskatoon: Peregrina Publishing Co., 1987).
Peter of Dacia, Vita Christinae Stumbelensis, 2 and 97, cited in John Coakley, “Friars as Confidants of Holy Women in Medieval Dominican Hagiography,” in Images of Sainthood in Medieval Europe, eds. Renate Blumenfeld-Kosinski and T. Szell (Ithaca, NY: Cornell University Press, 1990), 229–230.
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© 2000 Patricia Ranft
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Ranft, P. (2000). The Great Medieval Directors. In: A Woman’s Way. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-349-38533-1_5
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