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Theorrhoea contra Realism

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Abstract

Over the last few decades, the realistic novel has been derided by literary theorists associated with the Structuralist and Post-Structuralist schools of thought — the so-called post-Saussurean critics. Their criticisms have not been adequately answered because the underlying theoretical arguments — supposedly derived from Saussure — have not been examined with sufficient care. There has consequently been a tendency to assume that there is a powerful case against realism which must be accepted or ignored with a bad conscience. We are told that realism is dead while the non- or anti-realistic novel is alive and kicking.

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Notes

  1. Robert Scholes, The Fabulators (New York, 1967), p. 6.

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  2. Michael Boyd, The Reflexive Novel: Fiction as Critique (Toronto: Lewisburg Bucknell University Press, 1983), p. 9.

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  10. Pierre Macherey, A Theory of Literary Production, translated by Geoffrey Wall (London: Routledge & Kegan Paul, 1978), p. 133.

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  11. Jean-Paul Sartre, Nausea, translated by Robert Baldick (London: Penguin, 1965), pp. 61–2. The arguments alluded to here are addressed in greater detail in In Defence of Realism, op. cit., Chapter 2, As if There Could Possibly be Such Things as True Stories’.

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  12. Richard Rorty, ‘Professionalised Philosophy and Transcendental Culture’, Georgia Review, 1976, 30: 763–4.

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© 1999 Raymond Tallis

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Tallis, R. (1999). Theorrhoea contra Realism. In: Theorrhoea and After. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-27100-9_1

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