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Unestablished Balance in Women in Love

  • George Donaldson

Abstract

In a recent review, John Lyon writes of the need for criticism ‘if it is to have any impact’ to ‘address, whether sympathetically or hostilely, its own critical moment’.1 But the corollary of that is the requirement to be adequate to the writing under consideration and its moment, and moments.

Keywords

Critical Moment Walk Away Sexual Politics Artistic Practice Simple Truth 
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Notes

  1. 1.
    John Lyon, review of Twilight in Italy and Other Essays, ed. Paul Eggert, and R. E. Montgomery, The Visionary D. H. Lawrence: Beyond Philosophy and Art, in Review of English Studies, vol. 47, 1996, p. 626.Google Scholar
  2. 2.
    Anne Fernihough, D. H. Lawrence: Aesthetics and Ideology (Oxford, 1993), p. 11.CrossRefGoogle Scholar
  3. 4.
    Kate Millett, Sexual Politics ( 1971; 1977 ), p. 264.Google Scholar
  4. 5.
    Mark Kinkead-Weekes, ‘The Marble and the Statue: The Exploratory Imagination of D. H. Lawrence’, in Imagined Worlds: Essays on some English Novels and Novelists in Honour of John Butt, eds Maynard Mack and Ian Gregor (1968), p. 407.Google Scholar
  5. 9.
    Women in Love, eds David Farmer, Lindeth Vasey and John Worthen (Cambridge, 1987), 123:14–124:13.Google Scholar
  6. 14.
    Michael Levenson, Modernism and the Fate of Individuality (Cambridge, 1991), p. 153.CrossRefGoogle Scholar
  7. 15.
    Cornelia Nixon, Lawrence’s Leadership Politics and the Turn Against Women (Berkeley, 1986), p. 22, quoted by Levenson above, p. 154.Google Scholar
  8. 22.
    Richard Drain, ’Women in Love’, in D. H. Lawrence: A Critical Study of the Major Novels and Other Writings, ed. A. H. Gomme (Sussex, 1978), pp. 74–5.Google Scholar
  9. 23.
    Twilight in Italy and Other Essays. ed. Paul Eggert (Cambridge, 1994), 144:1–4.Google Scholar

Copyright information

© Palgrave Macmillan, a division of Macmillan Publishers Limited 1999

Authors and Affiliations

  • George Donaldson

There are no affiliations available

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