Abstract
The last chapter examined the cultural superstructure’s response to the changing material circumstances of the contemporary culture that it helps to create and needs to interpret. In this brief coda to the book I wish to look at the circumstances that are current in the economic base and which look set to influence art and design practice as we go into the twenty-first century.
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Notes
V. Papanek (1995) The Green Imperative, Thames & Hudson, p. 7.
J. Seabrook (1997) ‘A World to be Won’, The New Internationalist, no. 287.
See F. Jameson (1991) Postmodernism, or, The Cultural Logic of Late Capitalism, Verso.
J.- F. Lyotard (1987) The Post Modern Condition: A Report on Knowledge, Manchester University Press, p. 76.
J. Baudrillard (1988) ‘Fatal Strategies’ in Selected Writings, Polity Press, pp. 189–90.
See D. Kerekhove (1995) The Skin of Culture: Investigating the New Electronic Reality, Somerville House Publishing.
M. Legget (1996) ‘CD-Rom: The 21st century Bronze’ Burning the Interface, Museum of Contemporary Art, Sydney, p. 41.
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© 1999 Christopher Crouch
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Crouch, C. (1999). Coda. In: Modernism in Art, Design and Architecture. Palgrave, London. https://doi.org/10.1007/978-1-349-27058-3_10
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DOI: https://doi.org/10.1007/978-1-349-27058-3_10
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