Abstract
Louis XIV was the product of a monarchic tradition which was instilled into him from childhood. His tutors read to him each evening several pages of François Eudes de Mézerai’s Histoire de France (3 vols, 1643–51)1 which was intended to inculcate in him a reverential sense of standing in a line of French kings stretching back many centuries. The young king was instructed in the development of French monarchy from earliest times to the present, and was acquainted with the personalities, achievements and failures of his predecessors; his favourite reading in his youth was the biography of his grandfather, Henri IV, written by Louis’s tutor Hardouin de Péréfixe, later Archbishop of Paris.2 Louis’s historical studies avoided sentimental or romanticised interpretations of the past. They stressed the immense challenges which monarchy in France had surmounted — the Hundred Years War, the Wars of Religion — and forewarned Louis that he too would encounter difficulties and hardships as he ruled a notoriously volatile kingdom. They encouraged him nevertheless to be positive in the exercise of kingship. Monarchy, he was taught, was the very focus of the nation; in a sense the king was France.3
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Notes and References
H. Carré, The Early Life of Louis XIV (London, 1951), 99; on Mézerai, see
O. Ranum, Artisans of Glory: Writers and Historical Thought in Seventeenth-Century France (Chapel Hill, 1980), 197–232; the essays in
J.C. Rule (ed.), Louis XIV and the Craft of Kingship (Ohio, 1969) cover much of the material discussed in this chapter.
J. Orcibal, ‘Louis XIV and the Edict of Nantes’, in R. Hatton (ed.), Louis XIV and Absolutism (London, 1976), 156.
M. Tyvaert, ‘L’Image du Roi: Légitimité et Moralité Royales dans les Histoires de France au XVIIe Siècle’, in Revue d’Histoire Moderne et Contemporaine xxi (1974), 521–3.
R. Doucet, Les Institutions de la France au XVI Siècle (2 vols, Paris, 1948), i, 80–1.
E. H. Kantorowicz, The King’s Two Bodies: A Study in Mediaeval Political Theology (Princeton, 1957).
R. Jackson, Vive le Roi! A History of the French Coronation from Charles V to Charles X (Chapel Hill, 1984), 32–3.
The classic work on the Royal Touch is M. Bloch, The Royal Touch: Sacred Monarchy and Scrofula in England and France (London, reissued 1973).
See J.H.M. Salmon, Society in Crisis: France in the Sixteenth Century (London, 1975).
See M. Wolfe, The Conversion of Henri IV. Politics, Power and Religious Belief in Early Modern France (Cambridge, Mass., 1993).
See P. Sonnino, ‘The Dating and Authorship of Louis XIV’s Mémoires’, in French Historical Studies, iii, no.3 (1964), 303–37. An English translation of the Mémoires, with a historical introduction, has been published by Sonnino, under the title, Mémoires for the Instruction of the Dauphin by Louis XIV (New York, 1970). The French edition used by the present writer is
J. Longnon (ed.), Mémoires pour les Années 1661 et 1666 (Paris, 1923).
The literature on Versailles and the court is immense. N. Mitford, The Sun King (London, 1966) and
G. Walton, Louis XIV’s Versailles (London, 1986) relate the king to the palace; on the public representations of the king, and the court and its wider significance, see
P. Burke, The Fabrication of Louis XIV (London, 1992)
N. Elias, The Court Society (London, 1983)
L. Marin, Portrait of the King (London, 1988) and
J-E Solnon, La Cour de France (Paris, 1987); on the gardens of Versailles, their relationship to the palace, see
K. Woodbridge, Princely Gardens: The Origins and Development of the French Formal Style (London, 1986); on the wider significance of the court sée
J.M. Apostolides, Le Roi-Machine: Spectacle et Politique au Temps de Louis XIV (Paris, 1982).
J. Cornette, Absolutisme et Lumières, 1652–1783 (Paris, 1993), 52–3.
A.G. Dickens, ‘The Tudor-Percy Emblem in Royal MSS. 18 D ii’, in A.G. Dickens, Reformation Studies (London, 1982), 41–4; on the iconography of Versailles, see J.P. Néraudau, L’Olympe du Roi-Soleil (Paris, 1986).
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© 1998 David J. Sturdy
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Sturdy, D.J. (1998). Louis XIV and French Monarchy. In: Louis XIV. European History in Perspective. Palgrave, London. https://doi.org/10.1007/978-1-349-26706-4_1
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