Abstract
When in March 1994 I last had the pleasure of visiting with the honoree of this book, I learned he had just completed The Texts of ‘Othello’. On the train to Newcastle, I relished the prospect of consulting the printout. Or perhaps the typescript, I thought, revising the prospect with a reflection on differing rates in the assimilation of computer technology. Not enough revision, as it turned out: in Newcastle I found myself browsing through the original holograph manuscript of The Texts of ‘Othello’, and chatting, about, among other things, SHAKSPER, the electronic discussion group of which I had for some years been a member. Questions came, answers followed: about a thousand SHAKSPEReans throughout the world, ranging from eminent academics to casually interested laity, conversing about whatever the latitudinarian moderator, Professor Hardy Cook of Bowie State University in Maryland, allowed — which is to say, pretty much anything with a Shakespearean resonance.
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Notes
Samuel Taylor Coleridge, Shakespearean Criticism, ed. Thomas Middleton Raysor. 2nd edn, 2 vols (London, 1960), 1.42.
See Michael Neill, ‘Unproper Beds: Race, Adultery, and the Hideous in Othello’, Shakespeare Quarterly, 40 (1989), 383–412
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© 1997 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Pechter, E. (1997). Othello, The Infamous Ripley and SHAKSPER. In: Batchelor, J., Cain, T., Lamont, C. (eds) Shakespearean Continuities. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-26003-4_9
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DOI: https://doi.org/10.1007/978-1-349-26003-4_9
Publisher Name: Palgrave Macmillan, London
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