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Othello, The Infamous Ripley and SHAKSPER

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Abstract

When in March 1994 I last had the pleasure of visiting with the honoree of this book, I learned he had just completed The Texts of ‘Othello’. On the train to Newcastle, I relished the prospect of consulting the printout. Or perhaps the typescript, I thought, revising the prospect with a reflection on differing rates in the assimilation of computer technology. Not enough revision, as it turned out: in Newcastle I found myself browsing through the original holograph manuscript of The Texts of ‘Othello’, and chatting, about, among other things, SHAKSPER, the electronic discussion group of which I had for some years been a member. Questions came, answers followed: about a thousand SHAKSPEReans throughout the world, ranging from eminent academics to casually interested laity, conversing about whatever the latitudinarian moderator, Professor Hardy Cook of Bowie State University in Maryland, allowed — which is to say, pretty much anything with a Shakespearean resonance.

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Notes

  1. Samuel Taylor Coleridge, Shakespearean Criticism, ed. Thomas Middleton Raysor. 2nd edn, 2 vols (London, 1960), 1.42.

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  2. See Michael Neill, ‘Unproper Beds: Race, Adultery, and the Hideous in Othello’, Shakespeare Quarterly, 40 (1989), 383–412

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Authors

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John Batchelor Tom Cain Claire Lamont

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© 1997 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Pechter, E. (1997). Othello, The Infamous Ripley and SHAKSPER. In: Batchelor, J., Cain, T., Lamont, C. (eds) Shakespearean Continuities. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-26003-4_9

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