Abstract
Only the full publication of W. B. Yeats’s letters written to Florence Beatrice Farr Emery during the years she spent in Ceylon as headmistress and manager/treasurer of Ramanathan College will permit a contextual reading of Farr’s own letters to the poet.1 However, other extant sources further expand and adjust impressions of this “transitional” woman, as Farr referred to like individualists in an article written for The New Age.2 In her several-sided persona as actress (in what might be called experimental theatre), theatre-manager, poetry-performer, occasional journalist, largely unsuccessful novelist,3 and most serious inquirer into occult thought,4 Farr was a constant influence on Yeats’s aesthetic, especially through their shared interest in folklore, and their determined and penetrated questioning of the “soul’s journey”.
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Notes
Excerpts from Fair’s letters have been previously published in Josephine Johnson, Florence Farr: Bernard Shaw’s “New Woman” (Gerrards Cross, Bucks: Colin Smythe, 1975). Two letters (one incomplete) are included in LTWBY 254, 260–1.
Fair’s association with the Golden Dawn is chronicled in her biography and in Ellic Howe, The Magicians of the Golden Dawn: A Documentary History of a Magical Order (London: Routledge and Kegan Paul, 1972);
R. A. Gilbert (compiler), The Golden Dawn Companion: A Guide to the History, Structure, and Workings of the Hermetic Order of the Golden Dawn (Wellingborough: Aquarian Press, 1986);
R. A. Gilbert, A. E. Waite: Magician of Many Parts (Wellingborough: Crucible Books, 1987).
Cf. Farr’s Introduction and Notes to a Short Enquiry concerning the Hermetic Life by a Lover of Philalethes (London: Theosophical Publishing Society, 1894); A Commentary on Euphrates, or The Waters of the East (London: Theosophical Publishing Society, 1895); Egyptian Magic (London: Theosophical Publishing Society, 1896).
“And now you pay one. Yes, you richly pay.” Humphrey Carpenter in A Serious Character: The Life of Ezra Pound (London and Boston, Mass.: Faber and Faber, 1988) credits Olivia Shakespear as the model for “Portrait d’une Femme”, but on 8 August 1989 informed me, “I was only hypothesising, as I recall.” Ezra Pound’s letters to Dorothy Shakespear confirm that Farr is the persona of the poem, and he repeats his Sargasso description of her — “Your mind and you are our Sargasso Sea” — in a comment on her novel The Solemnization of Jacklin, See Ezra Pound and Dorothy Shakespear: Their Letters 1909–1914, ed. Omar Pound and A. Walton Litz (New York: New Directions, 1984) pp. 130, 132 (cited below).
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© 1997 Deirdre Toomey
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Johnson, J. (1997). Florence Farr: Letters to W. B. Yeats, 1912–17. In: Toomey, D. (eds) Yeats and Women. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-25822-2_9
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